"Autumn" by Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo, Zachary Paul, Drum & Lace, Dave Valdez had its release date on October 23, 2020. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Bryars: The Sinking of the Titanic by Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo. Autumn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Autumn by Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo, Zachary Paul, Drum & Lace, Dave Valdez is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reich/Richter: Opening | Steve Reich, Ensemble Intercontemporain, George Jackson | F♯ Major | 1 | 2B | 94 BPM | ||
| Increase | David Lang, Alarm Will Sound, Alan Pierson | F Minor | 4 | 4A | 120 BPM | ||
| September I | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Piano & Violoncello 15 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 131 BPM | ||
| Fontanarossa | Julia Kent | B♭ Minor | 2 | 3A | 78 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Last Night The Moon Came | Jon Hassell | E Minor | 1 | 9A | 80 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| A room (Two Pieces for Harp) - 1942 | John Cage, Floraleda Sacchi | D♭ Minor | 1 | 12A | 86 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Lux aeterna | György Ligeti, Schola Heidelberg, Walter Nußbaum | E♭ Major | 0 | 5B | 79 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Broken Bicycles | Gavin Bryars, Jess Walker | C Major | 7 | 8B | 80 BPM | ||
| Breathe | Erik K Skodvin, Rauelsson, Otto A. Totland | E♭ Minor | 1 | 2A | 93 BPM | ||
| Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
| Golden Brown | Estoria | D♭ Major | 1 | 3B | 94 BPM | ||
| Alice | Shida Shahabi | A Major | 1 | 11B | 87 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Sueno | Warphus | F♯ Minor | 5 | 11A | 132 BPM | ||
| Oraison | Olivier Messiaen | E Major | 0 | 12B | 74 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Improvisation_20171215 | Ryuichi Sakamoto | F Major | 0 | 7B | 81 BPM |