Billy Branch's ' "Should Have Been Gone" was released on its scheduled release date, January 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Blues Keep Following Me Around". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Based on our statistics, Should Have Been Gone's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Should Have Been Gone by Billy Branch having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gotta Go Now | Paul Oscher, Steve Guyger | G Major | 7 | 9B | 168 BPM | ||
| All For Business | Byther Smith | C Major | 6 | 8B | 109 BPM | ||
| I'll Be Home On Tuesday - Take 1 | Hubert Sumlin | C Major | 6 | 8B | 134 BPM | ||
| The Work Song | William Clarke | D Minor | 4 | 7A | 124 BPM | ||
| I Tried | Byther Smith, Larry Davis | F Minor | 5 | 4A | 118 BPM | ||
| Should Have Been Gone | Billy Branch | G Major | 8 | 9B | 127 BPM | ||
| Blue And Lonesome | Billy Branch, Billy Branch & The Sons of Blues | D Minor | 5 | 7A | 185 BPM | ||
| Someday Baby | Snooky Pryor | C Major | 7 | 8B | 162 BPM | ||
| West Side Shuffle | Ronnie Earl, Duke Robillard | D Major | 8 | 10B | 110 BPM | ||
| Numb | Will Wilde | E♭ Minor | 5 | 2A | 104 BPM | ||
| I Done Got Over It | Lazy Lester | B♭ Major | 8 | 6B | 78 BPM | ||
| Dressin' Tasty | Phillip Walker | A♭ Major | 8 | 4B | 131 BPM | ||
| Ain't Seen My Baby | Cephas & Wiggins | A Major | 5 | 11B | 108 BPM | ||
| Too Hurt To Cry | Willie Kent, Billy Branch | G Major | 5 | 9B | 198 BPM | ||
| Love Me Like I Love You | Byther Smith | A Major | 8 | 11B | 139 BPM | ||
| Fog On Garrison Lane | Shelby Street Blues | B Minor | 3 | 10A | 176 BPM | ||
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM | ||
| Paranoia | Will Wilde | E♭ Minor | 4 | 2A | 109 BPM | ||
| Big Boss Man | Satan & Adam | G Major | 9 | 9B | 97 BPM | ||
| You're Gonna Ruin Me Baby | Lazy Lester | C Major | 3 | 8B | 81 BPM | ||
| Pride and Joy | Lil Ed & The Blues Imperials | C Major | 7 | 8B | 135 BPM | ||
| Christine | Big Walter Horton, Carey Bell | C Major | 5 | 8B | 115 BPM | ||
| Everything's Gonna Be All Right | Carey Bell | C Major | 6 | 8B | 119 BPM | ||
| For You My Love | Colin Abraham | F♯ Major | 8 | 2B | 96 BPM | ||
| Don't Start Me Talking | John Hammond | B♭ Major | 5 | 6B | 109 BPM |