サトウヨシアキ's 'Since the Day' had a release date set for November 20, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 12 in Architectures by サトウヨシアキ. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Since the Day's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Since the Day by サトウヨシアキ is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ハッピーエンドロール | Organic Call | D♭ Minor | 9 | 12A | 150 BPM | ||
| Lily | KOHTA | G Minor | 8 | 6A | 101 BPM | ||
| 時の色 | INORAN | B Minor | 8 | 10A | 97 BPM | ||
| ヴィーナス | WALTZMORE | B Minor | 7 | 10A | 95 BPM | ||
| 夢に飛びのって | グソクムズ | G Major | 6 | 9B | 134 BPM | ||
| サマーアンセム | MONONOKE | C Minor | 9 | 5A | 125 BPM | ||
| Still | サトウヨシアキ | E Major | 7 | 12B | 121 BPM | ||
| (T)LAST ME | muque | A Major | 4 | 11B | 144 BPM | ||
| とけr | 不眠旅行 | G Major | 7 | 9B | 128 BPM | ||
| A Lovely Day | Aki | G Major | 8 | 9B | 160 BPM | ||
| 1969 | ame_no_parade | A♭ Major | 6 | 4B | 115 BPM | ||
| ただ好きと言えたら | KERENMI, Atarayo | D♭ Major | 6 | 3B | 135 BPM | ||
| 光れ | Atarayo | G Major | 9 | 9B | 135 BPM | ||
| 孤独の音が聞こえる | Misako Odani | D Major | 3 | 10B | 130 BPM | ||
| Since the Day | サトウヨシアキ | D Major | 5 | 10B | 138 BPM | ||
| 頂き | スーパー登山部 | C Major | 5 | 8B | 120 BPM | ||
| 夏夜の記憶 | CRAZY BLUES | D♭ Major | 5 | 3B | 84 BPM | ||
| Six Pages | サトウヨシアキ | D♭ Major | 7 | 3B | 107 BPM | ||
| Hard to say goodbye but the kisses were soft | Wednesday Wonderland. | G Major | 5 | 9B | 156 BPM | ||
| Tokyo | ame_no_parade | E Major | 6 | 12B | 113 BPM | ||
| あるく | Tota | B Major | 5 | 1B | 118 BPM | ||
| Infantry | Name the Night | D Major | 4 | 10B | 100 BPM | ||
| 明け方の夏 | Atarayo | F♯ Minor | 9 | 11A | 126 BPM | ||
| Good News | Enfants | G Major | 7 | 9B | 128 BPM | ||
| Butterfly | iri | B Major | 4 | 1B | 83 BPM |