"サマータイム 〜「ポーギーとベス」より" by 蒲原史子 had its release date on August 21, 1996. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ララバイ, so we believe that "サマータイム 〜「ポーギーとベス」より" is a single. サマータイム 〜「ポーギーとベス」より is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of サマータイム 〜「ポーギーとベス」より by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dargomyzhsky: Bolero | Alexander Dargomyzhsky, Galina Vishnevskaya, Mstislav Rostropovich | B♭ Major | 1 | 6B | 92 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Pelléas et Mélisande, Op. 80: Chanson de Mélisande "The King's 3 Blind Daughters" (Orch. Koechlin) | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
| Lucia di Lammermoor / Act 1: "Ancor non giunse!" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 80 BPM | ||
| 花の街 | Yamada Sisters | F Major | 1 | 7B | 70 BPM | ||
| Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
| カルメン 第 1組曲, 3. 間奏曲 | Georges Bizet, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | F Major | 4 | 7B | 131 BPM | ||
| 子守歌 | Franz Schubert, 蒲原史子, 朝川朋之 | A♭ Major | 1 | 4B | 75 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 2: Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Faust, CG 4: Faust - Romance | Charles Gounod, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 0 | 11B | 105 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Welsh National Opera Orchestra, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
| 二つの悲しき旋律: 第2曲: 過ぎし春 | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| アイルランドの子守歌 | 蒲原史子 | B♭ Major | 1 | 6B | 80 BPM | ||
| 眠りの精 | Johannes Brahms, 蒲原史子, 朝川朋之, アンサンブル・アン・レーヴ | B♭ Major | 1 | 6B | 97 BPM | ||
| Verdi: Don Carlo, Act 2: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Filippo, Coro) | Giuseppe Verdi, Carlo Maria Giulini, Ambrosian Opera Chorus, Montserrat Caballé, Ruggero Raimondi, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden | D Major | 1 | 10B | 76 BPM | ||
| Cervantes: Amor Y Locura | André Mehmari, Cervantes, Jabez Lima | B♭ Major | 1 | 6B | 92 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| 弦楽セレナード ホ短調 作品20: 第3楽章: Allegretto | Edward Elgar, 石田泰尚, 石田組 | F Major | 3 | 7B | 116 BPM |