"Shaman" by Toby Twining had its release date on April 26, 1994. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Shaman: Toby Twining Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Shaman is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Shaman by Toby Twining having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Pure Chimes | Anica Popovic | G Major | 2 | 9B | 88 BPM | ||
| Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | ||
| Holiday Ringing | Bell Ringers Of Kiev-Pechersk Lavra Monastery | B♭ Major | 5 | 6B | 109 BPM | ||
| Symphony for Eight | Philip Glass, Cello Octet Conjunto Ibérico, Elias Arizcuren | F Major | 2 | 7B | 122 BPM | ||
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Between the Mills and the Moors | Tom Kinsella | B♭ Major | 1 | 6B | 168 BPM | ||
| Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
| Eurydice: The String Room | Toby Twining, Eric S. Brenner, Liz Filios, Steven Bradshaw, Mark Johnson, Floreta Shapiro | D♭ Minor | 0 | 12A | 98 BPM | ||
| Gioite voi col canto | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 134 BPM | ||
| Facing North: Northern Lights 1 | Meredith Monk, Robert Een | B Minor | 0 | 10A | 76 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Black Angels, Thirteen Images from the Dark Land, Departure: I. Threnody I "Night of the Electric Insects" | George Crumb, Quatuor Hanson | F Minor | 1 | 4A | 113 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | G Major | 2 | 9B | 88 BPM | ||
| ILY Prelude | Joe Lewis | B♭ Minor | 3 | 3A | 84 BPM | ||
| The Carbon Copy Building, Scene 10: I blame the tenants for the building's state of disrepair (Manager) | Julia Wolfe, Michael Gordon, David Lang, Theo Bleckmann, Tony Boutté, Kate Geissinger, Toby Twining, John Benthal, Martin Goldray, Bohdan Hilash, David Cossin | C Major | 4 | 8B | 97 BPM | ||
| 3 Sacred Hymns: 2. Lord Jesus | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | A♭ Major | 3 | 4B | 107 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| 10.1 | jung jaeil, Budapest Scoring Orchestra and Choir, Jung Eun Hye | G Minor | 0 | 6A | 67 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Clear Communication | Amber Dawn Hilton | E♭ Major | 5 | 5B | 107 BPM | ||
| Carrot Revolution | Gabriella Smith, Aizuri Quartet | C Major | 4 | 8B | 108 BPM |