"Dixit Dominus, HWV 232: Virgam virtutis" by George Frideric Handel, The Scholars Baroque Ensemble had its release date on November 5, 1999. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Dixit Dominus, HWV 232: Virgam virtutis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Dixit Dominus / Salve Regina / Nisi Dominus" album is number 2 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Dixit Dominus, HWV 232: Virgam virtutis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, HWV 232: Virgam virtutis by George Frideric Handel, The Scholars Baroque Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in G Minor, Op. 6 No. 8, "Fatto per la Notte di Natale": III. Adagio - Allegro - Adagio (Rev. Vittorio Negri) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | E♭ Major | 1 | 5B | 85 BPM | ||
| Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
| Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
| Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
| Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 106 BPM | ||
| Castor et Pollux, RCT 32: Ouverture | Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Keyboard Sonata in E Major, Kk. 20 | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Sonate für Trompete D-Dur, G. 1: Sonata a 5 in D: I. Andante | Giuseppe Torelli, Capella Istropolitana, Richard Edlinger | A♭ Major | 2 | 4B | 113 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
| Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": I. Pomposo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 72 BPM | ||
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
| Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |