Arthur Sullivan, RTE Concert Orchestra, Andrew Penny's ' "L'ile enchantee: No. 6a Variation" was released on its scheduled release date, October 7, 1992. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Sullivan: Ile Enchantee (L') / Thespis". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, L'ile enchantee: No. 6a Variation's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'ile enchantee: No. 6a Variation by Arthur Sullivan, RTE Concert Orchestra, Andrew Penny having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
| U.S.S. Metaphor - Highlights | Community Women's Orchestra, Gilbert & Sullivan, Steve Gallagher, Ken McPherson, Robert Benda, Michael Tate, Dr Kathleen McGuire | F Major | 5 | 7B | 95 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 1: No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls) | Arthur Sullivan, Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Ian Wallace/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 3 | 9B | 113 BPM | ||
| No. 7, When the Saints Go Marching In | John Rutter, The Cambridge Singers, BBC Concert Orchestra | B♭ Major | 2 | 6B | 104 BPM | ||
| Trial by Jury: Sextet and Chorus. A Nice Dilemma We Have Here | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Chorus, Welsh National Opera Orchestra, Donald Adams, Barry Banks, Richard Stuart, Peter Savidge, Rebecca Evans, Gareth-Rhys Davies | D Major | 2 | 10B | 70 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
| The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Caro Mio Ben | Paul Potts | G Minor | 3 | 6A | 73 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Article | RECUERDO | E Major | 4 | 12B | 79 BPM | ||
| Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 128 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko) | Arthur Sullivan, Monica Sinclair/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | E♭ Major | 2 | 5B | 101 BPM | ||
| Danza, Danza, Fanciulla Gentile | Chai-lun Yueh | G Minor | 4 | 6A | 137 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Der Teig ist gar, wir können voranmachen" [The Nibblewitch] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 76 BPM | ||
| The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| Rossini: Stabat Mater: II. Cujus animam gementem | Gioachino Rossini, Antonio Pappano, Lawrence Brownlee, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
| Peter and the Wolf, Op. 67: Early One Morning, Peter Opened the Gate and Went out into the Big Green Meadow | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM |