Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] by Samuel Barber, Edward Higginbottom, Choir of New College, Oxford Song Details

"Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt]" by Samuel Barber, Edward Higginbottom, Choir of New College, Oxford had its release date on 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] by Samuel Barber, Edward Higginbottom, Choir of New College, Oxford is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 29%
Loudness: -24.432 dB
Acousticness: 99%
Danceability: 16%
Energy: 9%
Instrumentalness: 81%
Liveness: 34%
Loudness: 59%
Speechiness: 4%
Valence: 3%

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