"The Division Viol: Divisions for 2 Bass Viols in F Major" by Christopher Simpson, Ibrahim Aziz, Jennifer Bullock, Dan Tidhar had its release date on July 3, 2015. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Simpson: Ayres & Graces". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. The Division Viol: Divisions for 2 Bass Viols in F Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Division Viol: Divisions for 2 Bass Viols in F Major by Christopher Simpson, Ibrahim Aziz, Jennifer Bullock, Dan Tidhar having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pièces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) [arr. Y. Imamura] | François Couperin, Yasunori Imamura | C Major | 1 | 8B | 98 BPM | ||
| Sonata Per Viola da Gamba No. 2 in a Minor: II. Allegro | Dolci Accenti, Daniele Cernuto, Calogero Sportato, Lorenzo Feder, Mauro Zavagno | D Major | 4 | 10B | 89 BPM | ||
| Canzona per Basso Solo (Arr. J. Vitores) | Girolamo Frescobaldi, José Vitores, Klaus Stoll | G Major | 0 | 9B | 108 BPM | ||
| Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 87 BPM | ||
| Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 97 BPM | ||
| Suite in E Minor: VI. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Sonata a 4 in D Major, WoO 4: III. Grave | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward Tarr | B♭ Minor | 0 | 3A | 76 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Cumbees - Ensemble Edit | Santiago De Murcia, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | F♯ Major | 2 | 2B | 110 BPM | ||
| Canzona prima a basso solo, "detta l'altera" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 148 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| The Punckes Delight | William Corkine, Paolo Pandolfo | A♭ Major | 1 | 4B | 85 BPM | ||
| D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Première suite à 3 violes in D Major: No. 9, Rondeau | Marin Marais, François Joubert-Caillet, L'Achéron | F Major | 1 | 7B | 122 BPM | ||
| Little Consort, Suite in G Minor-Major: V. Alman | Christopher Simpson, Trio Settecento | G Major | 1 | 9B | 128 BPM | ||
| Lute Sonata No. 11 in D Minor: V. Sarabande | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 0 | 12A | 120 BPM | ||
| Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 2 | 1B | 91 BPM | ||
| 4 Fantasia-Suites, "The 4 Seasons", Autumne: II. Ayre | Christopher Simpson, Réjean Poirier, Jay Bernfeld, Mike Fentross, Les Voix Humaines | B Major | 0 | 1B | 110 BPM | ||
| Divisions on "John, Come Kiss Me Now" | Thomas Baltzar, Christopher Simpson, Daniel Zapico, Philippe Pierlot | A♭ Major | 0 | 4B | 124 BPM |