"Auf dem Gipfel" by Annette Focks had its release date on March 22, 2013. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Ostwind". In this album, this song's track order is #17. Auf dem Gipfel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf dem Gipfel by Annette Focks having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into the Maze | John Paesano, Pete Anthony, American Federation of Musicians | B♭ Major | 4 | 6B | 50 BPM | ||
| Goodnight, Children | Patrick Doyle | G Minor | 1 | 6A | 126 BPM | ||
| Der schwarze Mann | Annette Focks | F Major | 0 | 7B | 65 BPM | ||
| Season 1, Main Title (From "Türkisch für Anfänger") | Ali N. Askin | E Major | 5 | 12B | 90 BPM | ||
| Sur le lac gelé | Pierre Adenot | A Minor | 4 | 8A | 125 BPM | ||
| Farewell | Annette Focks | E Minor | 3 | 9A | 135 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| Funny, Like Uncle Bub | Geoff Zanelli | F Major | 1 | 7B | 94 BPM | ||
| A Big Day Ahead | Ari Posner, Amin Bhatia | G Major | 2 | 9B | 122 BPM | ||
| Carag | Anne-Kathrin Dern | D Minor | 3 | 7A | 104 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| The Shield Is Gone | Andrew Lockington, Tiff Randol, Nicholas Dodd | A♭ Major | 1 | 4B | 70 BPM | ||
| Bedtime Stories | Mike Higham, Matthew Margeson | A♭ Major | 1 | 4B | 92 BPM | ||
| Opening Titles | Christian Henson | A♭ Major | 2 | 4B | 137 BPM | ||
| Brandon | Anne-Kathrin Dern | D Major | 1 | 10B | 119 BPM | ||
| They're Not Just Humans | Anne-Kathrin Dern | D Minor | 3 | 7A | 80 BPM | ||
| Exploring The Forest | James Horner | F♯ Minor | 0 | 11A | 108 BPM | ||
| Return to the Castle - Instrumental | Barbie | E Major | 3 | 12B | 94 BPM | ||
| Romance Interrupted - from "Maxton Hall" | songs in cinema | F♯ Minor | 1 | 11A | 77 BPM | ||
| Scénická hudba 2 | Vaclav Noid Barta | G Minor | 1 | 6A | 142 BPM | ||
| Meeting Ms. Clearwater | Anne-Kathrin Dern | D Minor | 1 | 7A | 130 BPM | ||
| The Door in the Air - Score | Harry Gregson-Williams | C Major | 1 | 8B | 79 BPM | ||
| Lotta Theme | Oliver Thiede | C Major | 6 | 8B | 90 BPM | ||
| Credits | Dima Orsho, Annette Focks | D Major | 4 | 10B | 63 BPM | ||
| Die Zeremonie | Fabian Römer, Ein Mädchen namens Willow | F Major | 5 | 7B | 138 BPM |