"Come With Me" by Kris Bowers had its release date on December 25, 2020. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Come With Me's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 19 in Bridgerton (Music from the Netflix Original Series) by Kris Bowers, Bridgerton. Based on our statistics, Come With Me's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come With Me by Kris Bowers is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Far From Brooklyn | Atli Örvarsson | C Major | 1 | 8B | 79 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Waltz for Paulina | Kelsey Woods | G Minor | 2 | 6A | 154 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| The Moth | Andrea Farri | B Minor | 1 | 10A | 170 BPM | ||
| The Two of Us | Steve Horner | E Minor | 9 | 9A | 150 BPM | ||
| Never Enough (From "The Greatest Showman") | Justin Paul, Jenny Oaks Baker, The Shadow Mountain Symphony | F♯ Major | 3 | 2B | 130 BPM | ||
| Mother | Daniel Pemberton | C Major | 1 | 8B | 75 BPM | ||
| Ellie - Remembrance | Torin Borrowdale | A Minor | 1 | 8A | 120 BPM | ||
| Hope, Ascending | Alexis Ffrench, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 84 BPM | ||
| Blind Endeavours | Samuel Sim | G Major | 1 | 9B | 82 BPM | ||
| Come With Me | Kris Bowers | D Major | 2 | 10B | 80 BPM | ||
| The White Way Of Delight | Ari Posner, Amin Bhatia | E Minor | 0 | 9A | 97 BPM | ||
| New Dawn at Fraser's Ridge | Bear McCreary | G Major | 2 | 9B | 94 BPM | ||
| Danielle's Wings | George Fenton | B♭ Major | 1 | 6B | 88 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Beginning of the End Movement V | The Newton Brothers | C Major | 0 | 8B | 74 BPM | ||
| Piano Sonata No. 21 in C Major, Op. 53, "Waldstein": I. Allegro con brio | Ludwig van Beethoven, Igor Levit | C Major | 1 | 8B | 85 BPM | ||
| Break | Roary | D Major | 2 | 10B | 144 BPM | ||
| Bella's Lullaby | Nicholas Gold | G Major | 2 | 9B | 77 BPM | ||
| Carry Me | Dustin O'Halloran | C Minor | 2 | 5A | 69 BPM | ||
| We Keep in Touch, Okay ? | Ralf Wengenmayr | G Major | 0 | 9B | 73 BPM | ||
| Prescient | Howard Harper-Barnes | A Major | 3 | 11B | 140 BPM | ||
| pov | Strings From Paris | D Major | 2 | 10B | 80 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM |