Albert de Rippe, Gabriele Palomba's ' "Doulce memoire (After P. Sandrin)" was released on its scheduled release date, March 4, 2016. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "O passi sparsi". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. Based on our statistics, Doulce memoire (After P. Sandrin)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Doulce memoire (After P. Sandrin) by Albert de Rippe, Gabriele Palomba having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Or vien ca, vien, m'amye (After C. Janequin) | Albert de Rippe, Peter Söderberg | G Minor | 1 | 6A | 119 BPM | ||
| Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Almaine (no.13) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | D♭ Minor | 0 | 12A | 117 BPM | ||
| Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
| Lute music - Italy: Ricercar XIII | Vincenzo Capirola, Konrad Ragossnig | B♭ Major | 0 | 6B | 86 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| Fantasie No. 25 | Albert de Rippe, Hopkinson Smith | D Minor | 3 | 7A | 70 BPM | ||
| Fantasia terza | Giovanni Battista Dalla Gostena, Paul O'Dette | D Minor | 0 | 7A | 78 BPM | ||
| Fantasie No. 22 | Albert de Rippe, Hopkinson Smith | F Minor | 1 | 4A | 76 BPM | ||
| Pieces in D: La Bonita | Israel Golani | A♭ Major | 0 | 4B | 100 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Matelart & Da Milano: Recercate concertante sulla Fantasia di M. Milanese la quarta (Arr. for Lute & Organ) | Francesco da Milano, Johannes Matelart, Konrad Ragossnig, Hanni Widmer | G Minor | 1 | 6A | 105 BPM | ||
| Suite in E Minor: VI. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Ballo milanese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | A Major | 0 | 11B | 174 BPM | ||
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| Tocha tocha la Canella | Pietro Paolo Borrono, Paul O'Dette | G Major | 2 | 9B | 109 BPM | ||
| Volte | Johann Daniel Mylius, Lutz Kirchhof | A Major | 1 | 11B | 97 BPM | ||
| Fantasie No. 4 | Albert de Rippe, Peter Söderberg | D Minor | 0 | 7A | 92 BPM | ||
| Martin menoit (After C. Janequin) | Albert de Rippe, Peter Söderberg | G Minor | 1 | 6A | 107 BPM | ||
| Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |