"decisions (and the aftermath)" by thanks for coming had its release date on 2017. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "no problem". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Canada. In terms of popularity, decisions (and the aftermath) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With decisions (and the aftermath) by thanks for coming having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ideal World | Girlpool | D Major | 3 | 10B | 147 BPM | ||
| When I Meet You | Hollow Bastion | A♭ Major | 3 | 4B | 165 BPM | ||
| Have a Good One | thanks for coming | A Minor | 7 | 8A | 92 BPM | ||
| 2012 | Adult Mom | B♭ Major | 5 | 6B | 82 BPM | ||
| Ages Ago | Forth Wanderers | G Major | 6 | 9B | 203 BPM | ||
| To Fall Is Not to Fail | Dear Nora | E Minor | 7 | 9A | 130 BPM | ||
| library | waveform* | E Minor | 6 | 9A | 112 BPM | ||
| Sideline Skyline | Free Cake For Every Creature | G Major | 2 | 9B | 118 BPM | ||
| yellowstoned | wished bone | B Major | 7 | 1B | 93 BPM | ||
| Dog in My Dreams | Lady Facing Left | G Major | 4 | 9B | 84 BPM | ||
| modern tourism | feeble little horse | D♭ Minor | 6 | 12A | 99 BPM | ||
| To Become Immortal -- and Then Die | thanks for coming | D Major | 6 | 10B | 75 BPM | ||
| Long Days, No Dreams | Water From Your Eyes | B Minor | 9 | 10A | 114 BPM | ||
| George's | Chalk Talk | D♭ Major | 5 | 3B | 169 BPM | ||
| One Tree Hell (feat. thanks for coming) | My Idea, thanks for coming | C Major | 3 | 8B | 113 BPM | ||
| Johnny | Yucky Duster | C Major | 7 | 8B | 157 BPM | ||
| Toad Mode | Sex Week | C Major | 4 | 8B | 130 BPM | ||
| decisions (and the aftermath) | thanks for coming | A♭ Major | 2 | 4B | 105 BPM | ||
| Rocky Mountains | Peach Kelli Pop | B Major | 8 | 1B | 127 BPM | ||
| Abysynth Green | The Goin' Nowheres | D Major | 9 | 10B | 80 BPM | ||
| Transparency | Small Crush | E Major | 5 | 12B | 125 BPM | ||
| face ii | Sadurn | D Major | 2 | 10B | 84 BPM | ||
| Never Know Why | Mathew Lee Cothran | F Major | 5 | 7B | 117 BPM | ||
| See the avalanche | Post Office Winter | A♭ Minor | 3 | 1A | 110 BPM | ||
| u r not sick, yr electric | thanks for coming | B♭ Major | 5 | 6B | 117 BPM |