Johann Strauss II, Riccardo Muti, Wiener Philharmoniker's 'Accelerationen, Walzer, Op. 234' had a release date set for 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Neujahrskonzert / New Year's Concert 2004". In this album, this song's track order is #3. In terms of popularity, Accelerationen, Walzer, Op. 234 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Accelerationen, Walzer, Op. 234 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM | ||
| Amor de Poeta | Orchestre Festival De Viena | D Major | 4 | 10B | 102 BPM | ||
| Albion, Op. 102: Polka | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | F Major | 1 | 7B | 86 BPM | ||
| 夜上海 | 北京中央交響樂團 | G Minor | 1 | 6A | 74 BPM | ||
| Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Los Amaneceres en Austria | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 174 BPM | ||
| Don Quixote, Act I: Coda | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM | ||
| Snow White: VIII. Games and Fun | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| March from Act IV of Roméo Et Juliette (Live) | Shen Yun Symphony Orchestra | A Minor | 2 | 8A | 135 BPM | ||
| Kopenhagener Eisenbahn-Dampf Galopp | Hans Christian Lumbye, Mariss Jansons, Wiener Philharmoniker | D Major | 4 | 10B | 95 BPM | ||
| Giselle / Act 1: No. 8 Galop | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 132 BPM | ||
| Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
| Luftig und duftig. Polka schnell, op. 206 | Eduard Strauss, Riccardo Muti, Wiener Philharmoniker | D Major | 4 | 10B | 82 BPM | ||
| Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | F Major | 2 | 7B | 142 BPM | ||
| Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM | ||
| バレエ組曲「白鳥の湖」~スペインの踊り(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | F♯ Minor | 4 | 11A | 147 BPM | ||
| Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 : Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 98 BPM | ||
| Dichter und Bauer: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 77 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| Rosas del Sur | Orquesta Concierto de Viena | B♭ Major | 3 | 6B | 92 BPM | ||
| Delirien, Walzer, Op. 212 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 2 | 8B | 97 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM |