- BPM
- 172
- Key
- F Major
- Camelot
- 7B
Ave Maria by Patrick Cassidy Song Details
"Ave Maria" by Patrick Cassidy had its release date on March 7, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Ave Maria and no other songs are present in the album, we classify this track as a single. The popularity of Ave Maria is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Ave Maria by Patrick Cassidy is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.03 dB
- Acousticness
- 88%
- Danceability
- 9%
- Energy
- 18%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | |
 | Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Choir of St. John's College, Cambridge, The Argo Chamber Orchestra, George Guest | F Major | 1 | 7B | 82 BPM | |
 | Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": VI. Benedictus | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | |
 | Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | |
 | After Lassus: VI. Sancti mei | Tom Coult, Anna Dennis, Andrew Gourlay, BBC Philharmonic | E Minor | 0 | 9A | 113 BPM | |
 | Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | |
 | Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | |
 | MAGNIFICAT: IV. Et misericordia | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | B♭ Major | 1 | 6B | 81 BPM | |
 | Concerto grosso in D Major, Op. 6 No. 1: I. Largo – Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | A♭ Major | 2 | 4B | 72 BPM | |
 | Emily — No Prisoner Be: No. 26, No Prisoner Be | Kevin Puts, Time For Three, Joyce DiDonato, The Young People's Chorus Of New York City, Francisco J. Núñez | D♭ Minor | 1 | 12A | 76 BPM | |
 | The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | |
 | Mass in D Minor: Kyrie. Kyrie I | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D♭ Minor | 1 | 12A | 127 BPM | |
 | Sanctorum meritis, RV 620 | Antonio Vivaldi, Coro e Orchestra Ghislieri, Giulio Prandi, Carlotta Colombo | A♭ Major | 2 | 4B | 123 BPM | |
 | Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | |
 | Parce mihi, Domine | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 0 | 7B | 130 BPM | |
 | Requiem: I. Introit | Karl Jenkins, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Catrin Finch, Tim Thorne, Gary Kettel, Timothy Rhys-Evans | A Minor | 2 | 8A | 139 BPM | |
 | Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | |
 | Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | |
 | 3 Khora: No. 2, Lyubov Svyataya (3 Choruses: Sacred Love) | Georgy Sviridov, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | D Major | 2 | 10B | 83 BPM | |
 | Sacri musicali affetti, Op. 5: Gaude virgo | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | G Major | 2 | 9B | 75 BPM | |
 | If music be the food of love, Z. 379 | Henry Purcell, Grace Davidson, Julian Perkins | F♯ Minor | 2 | 11A | 82 BPM | |
 | Pausanius, Z. 585: No. 1, Sweeter than Roses | Henry Purcell, Grace Davidson, Julian Perkins | D♭ Minor | 1 | 12A | 76 BPM | |
| Missa Sancti Hieronymi, MH 254: IX. Agnus Dei: No. 2, Dona nobis pacem | Michael Haydn, Academy of Ancient Music, Matthew Martin, Choir of Gonville & Caius College, Cambridge | C Major | 2 | 8B | 98 BPM | |
 | Muusika | Kammerkoor Head Ööd Vend | F Major | 0 | 7B | 83 BPM | |
| MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Nidarosdomens jentekor, TrondheimSolistene, Anita Brevik, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM |
- ISRC
- QZS1Z2507601
- Label
- L-M Records/RCA Records