Deep Shrestha's ' "Har Raat Sapanima" was released on its scheduled release date, March 23, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Dristi by Deep Shrestha. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Har Raat Sapanima's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Har Raat Sapanima by Deep Shrestha is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rituharuma Timi | Ram Thapa, Arun Thapa | D♭ Major | 3 | 3B | 140 BPM | ||
| Bansuriko Dhun | Prakash Shrestha, Sangita Pradhan | G Major | 7 | 9B | 133 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Priyashi | Kandara Band | E Major | 7 | 12B | 132 BPM | ||
| Gaun Ki Kanchi | Raju Lama-mongolian Heart | B Minor | 8 | 10A | 108 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Jodeko Nata | Ek Narayan Bhandari, Swaroop Raj Acharya | G Minor | 6 | 6A | 100 BPM | ||
| Kina Mann Hunchha | Sadhana Sargam | G Major | 6 | 9B | 118 BPM | ||
| Maya Aafai Baschha | Uday Sotang, Manila Sotang | D♭ Major | 6 | 3B | 79 BPM | ||
| Ma Pyar Bechidinchhu | Asha Bhosle | A Major | 7 | 11B | 165 BPM | ||
| Kati Kamjor Rahechha | Prem Dhoj Pradhan | F Major | 2 | 7B | 76 BPM | ||
| Jeevanko Batoma | Raju Singh, Deep Shrestha | E♭ Minor | 7 | 2A | 142 BPM | ||
| Jala Udera Mero Jale Rumala | Hemant Sharma | F♯ Major | 8 | 2B | 134 BPM | ||
| Ma Bina Kasai Kasailai Muskil Chha Pokharama | Pramod Kharel | A♭ Minor | 9 | 1A | 80 BPM | ||
| Nibir Junaki Rati | Zubeen Garg | B Major | 7 | 1B | 92 BPM | ||
| Chitthi Aayena | Kavita Krishnamurthy | G Minor | 3 | 6A | 86 BPM | ||
| Bichhodko Pida | Dilmaya Khati, Narayan Gopal | F Major | 5 | 7B | 74 BPM | ||
| He Lajaune Mayalu | Rabin Shrestha | D♭ Major | 5 | 3B | 151 BPM | ||
| Janmera Kokhama Kasaiko | Narayan Gopal | E Major | 4 | 12B | 72 BPM | ||
| Bachan Tode | Ram Krishna Dhakal | F Major | 7 | 7B | 76 BPM | ||
| Samjhau Malai | Deepak Jadit, Deep Shrestha | A♭ Major | 7 | 4B | 130 BPM | ||
| Rato Ra Chandra Surya | Phatteman | G Major | 5 | 9B | 155 BPM | ||
| Pogna Nairwk Nairwk | Goutam Debbarma, Usha Debbarma | A Major | 6 | 11B | 93 BPM | ||
| Jeevan Aakhir | Deep Shrestha | D Major | 5 | 10B | 146 BPM | ||
| Fariya Lai Bhuima Latari | Gopal Yonjan | D♭ Major | 9 | 3B | 98 BPM |