Sítio de Pai Adão's ' "Toada Para Orumilá 2" was released on its scheduled release date, 2020. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Toada Para Orumilá 2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Ritmos Africanos no Xangô do Recife". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Australia. The popularity of Toada Para Orumilá 2 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toada Para Orumilá 2 by Sítio de Pai Adão having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MARABÔ, ESCUTO AO LONGE UMA GARGALHADA | Emmano, TECAL, Blessed | G Minor | 5 | 6A | 100 BPM | ||
| Orixá Yewá | Babalorixá Júnior D'Oxossì | D Major | 5 | 10B | 119 BPM | ||
| Toada Para Ewa | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Loko | Huntó Bará Sojí | C Major | 8 | 8B | 188 BPM | ||
| Iogunede | Mestre Hilário, Mestre Erenilton Bagum | G Minor | 6 | 6A | 78 BPM | ||
| Ago Elegbara | Ryan de Oxala | D Minor | 6 | 7A | 141 BPM | ||
| Mutalambo | Afoxé Bandarerê, Nengua Mesoenji | D Major | 5 | 10B | 93 BPM | ||
| Nkisi Njila / Maviletango | Tata kambondo Mona Nkisi | C Major | 4 | 8B | 104 BPM | ||
| Navalha Desafia Qualquer Um | Alabê Arian, Alabê Hernán | E Major | 8 | 12B | 129 BPM | ||
| Toada Para Ogum 2 | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Maria Mulambo | Tribuna Jurandiense, FERNANDO DE IEMANJÁ, PAI ZÉ PRETO DE OXUM | G Major | 4 | 9B | 116 BPM | ||
| Toada Para Exu 2 | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Yewa | Ile Alaketu Ase Kare | A Minor | 6 | 8A | 116 BPM | ||
| Yemoja | Ile Alaketu Ase Kare | A Minor | 5 | 8A | 104 BPM | ||
| Maré Ta Forte | Formiga, Graveto Capoeira | E♭ Major | 8 | 5B | 93 BPM | ||
| Chegou Pra Guerrear (Seu Marabô) [feat. Mestre Obashanan] | Mãe Iberecy, Mestre Obashanan | D Major | 6 | 10B | 126 BPM | ||
| Omolú | Olóye Felipe | D♭ Major | 7 | 3B | 117 BPM | ||
| Oxalá (Oxalufã) | Casa de Oxumarê | A Minor | 8 | 8A | 86 BPM | ||
| Ijéxa de logun édé / Lansan / Oxun | Toninho de Oxossi | B♭ Major | 4 | 6B | 119 BPM | ||
| Olha Quem Vem Lá no Portão | Jonathan Pires | A♭ Major | 3 | 4B | 84 BPM | ||
| Alujá | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Toada Para Oxum 2 | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Venta Toda a Noite Exu Ventania | Alabês de Bará, Família Soberanos | E Minor | 6 | 9A | 143 BPM | ||
| Òríkìn Èwá | Sergio D Ogun | F♯ Major | 8 | 2B | 154 BPM | ||
| Ití wéré onisé a áwúre ajagúnmón órisá ooré- | Lucinha Pessoa, Dil Fonseca, Marcos Sacramento | C Major | 5 | 8B | 130 BPM |