"Missa Tempore Quadragesimae, MH 553: Credo" by Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi had its release date on July 15, 2014. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 2 out of 28. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Missa Tempore Quadragesimae, MH 553: Credo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Tempore Quadragesimae, MH 553: Credo by Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
| Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Credo | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 121 BPM | ||
| Gloria in D Major, RV 589: VII. Domine, fili unigenite | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 114 BPM | ||
| Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 118 BPM | ||
| Symphony No. 33 in B-Flat Major, P. 24: I. Vivace | Michael Haydn, German Chamber Academy Neuss, Frank Beermann | B♭ Major | 3 | 6B | 148 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
| Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
| Der Tod Jesu, Pt. 1: Sein Odem ist schwach | Carl Heinrich Graun, Arcis-Vocalisten, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B♭ Minor | 0 | 3A | 109 BPM | ||
| Miserere in C Minor: Miserere mei, Deus (Chorus) | Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B Minor | 1 | 10A | 78 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Missa sub titulo Sancti Leopoldi, MH 837: VI. Agnus dei. Agnus dei qui Tollis | Michael Haydn, Accademia Vocale di Genova, Roberta Paraninfo, Genova Vocal Ensemble | B♭ Major | 2 | 6B | 92 BPM | ||
| Missa brevis in B KV275: Gloria | Wolfgang Amadeus Mozart, Peter Neumann/Kölner Kammerchor/Collegium Cartusianum Köln/Franz-Josef Selig, Collegium Cartusianum | B♭ Major | 2 | 6B | 137 BPM | ||
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Hasse: Serpentes ignei in deserto: Aria. "Incerta vivendo" (Eliab) | Johann Adolf Hasse, Thibault Noally, Les Accents, David Hansen | B Minor | 3 | 10A | 120 BPM | ||
| Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Gloria. Gloria in excelsis | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 2 | 10B | 75 BPM | ||
| Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) | Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 166 BPM | ||
| Miserere, ZWV56: Miserere mei, Deus | Jan Dismas Zelenka, Ebsemble Inégal, Adam Viktora | D♭ Minor | 2 | 12A | 169 BPM | ||
| Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | D♭ Major | 2 | 3B | 79 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM | ||
| Messe du couronnement, K. 317: Gloria | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | G Major | 3 | 9B | 131 BPM | ||
| Messe de Requiem, Kyrie: Kyrie eleison | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Minor | 2 | 2A | 92 BPM | ||
| Stabat Mater Dolorosa à dix voix: Stabat Mater Dolorosa | Domenico Scarlatti, Ensemble William Byrd, Graham O'Reilly, Catherine Greuillet, Raphaële Kennedy, Sophie Decaudaveine, Brigitte Vinson, Pascal Bertin, Vincent Darras, Bruno Boterf, Raphaël Boulay, François Fauche, Paul Willenbrock | B Minor | 2 | 10A | 129 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
| Jerusalem: Responsorio segundo de S. S. José | Ignacio de Jerúsalem, Chanticleer, Joseph Jennings, Chanticleer Sinfonia | F♯ Minor | 1 | 11A | 74 BPM |