"No. 2, Cantilène" by Gabriel Pierné, Rudolf Müller had its release date on February 20, 2014. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rudolf Müller's "Great European Organs, Vol. 95: Monastery Church, Mariannhill" album is number 6 out of 13. On top of that, United Kingdom appears to be the country where this track was created. No. 2, Cantilène is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No. 2, Cantilène by Gabriel Pierné, Rudolf Müller to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | E Minor | 1 | 9A | 75 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 2, Valse | Sergei Rachmaninoff, Boris Giltburg | E Minor | 1 | 9A | 75 BPM | ||
| Valse, FP 53 | Francis Poulenc, Dario Müller | C Major | 2 | 8B | 102 BPM | ||
| Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Michael Endres | C Major | 1 | 8B | 65 BPM | ||
| Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | B♭ Major | 0 | 6B | 68 BPM | ||
| Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: II. Moderato In E Major | Sigismond Thalberg, Francesco Nicolosi | C Minor | 1 | 5A | 72 BPM | ||
| 6 Lieder, Op. 13: No. 1, Ich stand in dunklen Träumen (Transcr. Soltani for Cello and Piano) | Clara Schumann, Kian Soltani, Julien Quentin | E♭ Major | 0 | 5B | 86 BPM | ||
| Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | ||
| Serenade, Op. 7 (Arr. For oboe and piano) | Gabriel Pierné, Albrecht Mayer, Karina Wisniewska | G Minor | 1 | 6A | 168 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| 2 Musical Sketches, "2 Klavierstucke": Andante cantabile in B-Flat Major | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 111 BPM | ||
| 2 Waltzes: I. Valse lente | Germaine Tailleferre, Lucas Jussen, Arthur Jussen | F♯ Minor | 0 | 11A | 78 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | E Minor | 1 | 9A | 75 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| 12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Prélude (15 pièces) | Valérie Milot, Gabriel Pierné | E♭ Minor | 0 | 2A | 93 BPM | ||
| Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | Modest Mussorgsky, Alexander Gadjiev | B Minor | 0 | 10A | 133 BPM | ||
| Deux pièces pour piano: No. 2, Sérénade, VWV 3015 | Pauline Viardot, Pierpaola Porqueddu | F Major | 1 | 7B | 67 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Moments musicaux, Op. 16: No. 5, Andante sostenuto in D-Flat Major | Sergei Rachmaninoff, Inon Barnatan | D♭ Major | 0 | 3B | 170 BPM |