On 2014, the song "U Turn" was released by Chase Rice. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Chase Rice's "Ignite the Night" album is number 10 out of 15. Based on our statistics, U Turn's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of U Turn by Chase Rice to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Could Get Used to This | Waterloo Revival | E Major | 8 | 12B | 140 BPM | ||
| Little Bit Of Everything | Keith Urban | A♭ Major | 9 | 4B | 160 BPM | ||
| Ray Bans | JT Hodges | D Major | 9 | 10B | 118 BPM | ||
| I'm Thinking Country | Frankie Ballard | E Major | 8 | 12B | 120 BPM | ||
| Hands On You | Florida Georgia Line | B♭ Major | 9 | 6B | 147 BPM | ||
| Kiss Somebody | Morgan Evans | F♯ Major | 7 | 2B | 89 BPM | ||
| Bonfire | The Roads Below | A♭ Major | 9 | 4B | 100 BPM | ||
| You Make It Look So Good | Thompson Square | D♭ Major | 9 | 3B | 144 BPM | ||
| Suitcase | Steve Moakler | G Major | 7 | 9B | 76 BPM | ||
| That Girl | Outshyne | B♭ Minor | 7 | 3A | 142 BPM | ||
| Silverado Bench Seat | Granger Smith | E♭ Major | 8 | 5B | 126 BPM | ||
| That Could Be Us | Brandon Ray | A♭ Major | 8 | 4B | 83 BPM | ||
| I Bet Whiskey Would | Matt Stell | G Major | 8 | 9B | 88 BPM | ||
| Later On | The Swon Brothers | D Major | 9 | 10B | 180 BPM | ||
| Country Boy's Kryptonite | Chase Rice | D Major | 9 | 10B | 120 BPM | ||
| The Sand I Brought To The Beach | Luke Bryan | A Major | 9 | 11B | 115 BPM | ||
| Drank Something | Nate Kenyon | F♯ Major | 7 | 2B | 140 BPM | ||
| Grew Up in the Country | Jameson Rodgers | B♭ Major | 6 | 6B | 136 BPM | ||
| No Such Thing as a Broken Heart | Old Dominion | A♭ Major | 8 | 4B | 172 BPM | ||
| Yada Yada Yada | Brandon Lay | C Major | 7 | 8B | 96 BPM | ||
| I've Been Meaning to Call | Adam Sanders | E♭ Major | 4 | 5B | 126 BPM | ||
| Lover's Tonight | Ty March. | A♭ Major | 8 | 4B | 130 BPM | ||
| Keep Them Kisses Comin' | Craig Campbell | F♯ Major | 8 | 2B | 120 BPM | ||
| See You Around | Cole Taylor | A♭ Major | 8 | 4B | 138 BPM | ||
| Wake up Lovin' You | Craig Morgan | A♭ Major | 7 | 4B | 75 BPM |