"Flesh and Bone" by Black Math had its release date on December 9, 2016. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 5 in Black Math by Black Math. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Flesh and Bone is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Flesh and Bone by Black Math is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King of Fools | Rafferty | D♭ Minor | 5 | 12A | 147 BPM | ||
| Where to Begin | Adam Watts | B Minor | 5 | 10A | 140 BPM | ||
| Here Comes the Reign | Les Friction | E Major | 8 | 12B | 170 BPM | ||
| All the King's Men | The Rigs | A Major | 7 | 11B | 101 BPM | ||
| Singularity | Black Math | F Minor | 4 | 4A | 150 BPM | ||
| Through the Dark | Kevin McAllister, Elina Victoria | A Minor | 1 | 8A | 118 BPM | ||
| Return of V (Outro) | Skott | G Minor | 3 | 6A | 76 BPM | ||
| We Have It All | Pim Stones | B♭ Minor | 5 | 3A | 108 BPM | ||
| Forever in My Blood | Simon | A♭ Minor | 7 | 1A | 127 BPM | ||
| Supernatural | Tribal Blood | F Major | 5 | 7B | 90 BPM | ||
| Up Down | Boy Epic | C Major | 8 | 8B | 120 BPM | ||
| Crossing Over | Lawless, IO Echo | G Major | 7 | 9B | 170 BPM | ||
| Remains | Algiers | D♭ Major | 5 | 3B | 180 BPM | ||
| Strangelove | Black Math | E Minor | 4 | 9A | 98 BPM | ||
| Who Are You, Really? | Mikky Ekko | B♭ Minor | 7 | 3A | 144 BPM | ||
| Specter | Saint Mesa | E Minor | 6 | 9A | 177 BPM | ||
| Devil Like You | Gareth Dunlop | D♭ Minor | 4 | 12A | 115 BPM | ||
| Losing Hold | Esterly, Austin Jenckes | E Minor | 6 | 9A | 119 BPM | ||
| In the Woods Somewhere | Hozier | F♯ Minor | 4 | 11A | 98 BPM | ||
| Killer Inside of Me | Willyecho | D Major | 7 | 10B | 120 BPM | ||
| Warfare | Katie Garfield | D♭ Minor | 5 | 12A | 160 BPM | ||
| Arsonist's Lullabye | Hozier | F♯ Minor | 4 | 11A | 178 BPM | ||
| Without You | Ursine Vulpine, Annaca | G Minor | 5 | 6A | 104 BPM | ||
| I Take What I Want | Unions | F Minor | 1 | 4A | 174 BPM | ||
| When It's All Over | RAIGN | A Minor | 5 | 8A | 130 BPM |