"Here Comes the Reign" by Les Friction had its release date on January 24, 2012. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Les Friction's "Les Friction (Instrumental Bonus Tracks Version)" album is number 4 out of 18. On top of that, United States appears to be the country where this track was created. The popularity of Here Comes the Reign is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Here Comes the Reign by Les Friction to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Reigniting | Mountains vs. Machines | G Major | 8 | 9B | 83 BPM | ||
| The Man I Left Behind | Ki:Theory | A Major | 9 | 11B | 162 BPM | ||
| A Call to War | Twisted Jukebox | B Minor | 7 | 10A | 105 BPM | ||
| Dark Days | The Phantoms | D Major | 6 | 10B | 80 BPM | ||
| Feed | Cryoshell | E Minor | 9 | 9A | 105 BPM | ||
| Deep Shadow | T.T.L. | F Minor | 4 | 4A | 80 BPM | ||
| Down Come the Rain | Hidden Citizens, Adam Christopher | E Minor | 4 | 9A | 120 BPM | ||
| Oath to Order | Theophany | D♭ Major | 5 | 3B | 156 BPM | ||
| All That Mattered (Instrumental) | Les Friction | A Major | 2 | 11B | 57 BPM | ||
| Everybody Knows | Wild Fire | B♭ Major | 10 | 6B | 110 BPM | ||
| Who We Are | Imagine Dragons | F♯ Minor | 7 | 11A | 174 BPM | ||
| War | Tribal Blood | A Minor | 5 | 8A | 156 BPM | ||
| Stop a Bullet | Black Light Burns | B Minor | 8 | 10A | 133 BPM | ||
| And the World Was Gone | Snow Ghosts | D♭ Minor | 6 | 12A | 80 BPM | ||
| Wolf | Saint Mesa | D♭ Major | 2 | 3B | 84 BPM | ||
| Over the Rainbow | Chase Holfelder | B♭ Minor | 6 | 3A | 112 BPM | ||
| Take Me Away | Globus, Robert Fripp | A♭ Minor | 9 | 1A | 70 BPM | ||
| Smells Like Teen Spirit | Saint Mesa | D Major | 4 | 10B | 160 BPM | ||
| We Are All Made of Stars - Epic Trailer Version | Hidden Citizens, Tim Halperin | G Major | 9 | 9B | 85 BPM | ||
| Louder Than Words | Les Friction | D Minor | 6 | 7A | 80 BPM | ||
| Takedown | Tom Player | A♭ Major | 4 | 4B | 145 BPM | ||
| Diminuendo | Lawless, Britt Warner | G Major | 8 | 9B | 128 BPM | ||
| The Man Is Me | The Spiritual Machines | F Major | 8 | 7B | 120 BPM | ||
| Orchard of Mines | Globus | A♭ Minor | 9 | 1A | 70 BPM | ||
| The Darkest Hour | Daniel Lenz | B♭ Major | 8 | 6B | 70 BPM |