"Avodat Shabbat: Ahavat Olam" by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz had its release date on February 1, 2004. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Avodat Shabbat: Ahavat Olam's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 22 in Berlinski: Avodat Shabbat (Friday Evening Service) by Herman Berlinski. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Avodat Shabbat: Ahavat Olam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Avodat Shabbat: Ahavat Olam by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (b) "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| L'Orfeo, SV 318, Act II: Tu se' morta | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Requiem, Op.48: 5. Agnus Dei (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 2 | 6B | 88 BPM | ||
| The Three Festivals (Shalosh Regalim): III. Shabuoth (Pentecost), Exodus 20:18 | Herman Berlinski, Laura Ellis | G Major | 0 | 9B | 72 BPM | ||
| Lyadov: 8 Russian Folksongs, Op. 58: No. 6, Cradle Song | Anatoly Lyadov, Andreyev Imperial Russian Orchestra, Dmitri Hochlov | A Minor | 1 | 8A | 113 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D♭ Major | 0 | 3B | 85 BPM | ||
| L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
| Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
| Aida, Act I: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Ariane et Barbe-bleue: Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de Billy | E Major | 3 | 12B | 135 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
| Szymanowski: Love Songs of Hafiz, Op. 26: No. 7, Drinking Song | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | ||
| Rossini: Guillaume Tell, Act 1: "Quel jour serein le ciel présage !" (Chœur) | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 98 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM |