Lata Mangeshkar, Amit Kumar, R. D. Burman's ' "Zamane Men Sabse Purani" was released on its scheduled release date, May 20, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in R. D. Burman's "Lovers" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Zamane Men Sabse Purani is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Zamane Men Sabse Purani by Lata Mangeshkar, Amit Kumar, R. D. Burman to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pyar Ko Ho Jane Do | Kumar Sanu, Lata Mangeshkar | E♭ Major | 5 | 5B | 157 BPM | ||
| Tu Kal Chala Jayega | Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | A♭ Minor | 8 | 1A | 151 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Too Mera Hero Hai | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Minor | 4 | 8A | 83 BPM | ||
| Panna Ki Tamanna Hai | Kishore Kumar, Lata Mangeshkar, R. D. Burman | G Major | 6 | 9B | 110 BPM | ||
| Haal Kaisa Hai Janab Ka | Asha Bhosle, Kishore Kumar, S. D. Burman | B♭ Major | 6 | 6B | 130 BPM | ||
| Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM | ||
| Yeh Raat Bheegi Bheegi (From "Chori Chori") | Manna Dey, Lata Mangeshkar | C Minor | 4 | 5A | 172 BPM | ||
| Thandi Hawa Kali Ghata | Geeta Dutt | D♭ Major | 3 | 3B | 93 BPM | ||
| Maine Payal Hai Chhankai | Falguni Pathak | E Major | 7 | 12B | 90 BPM | ||
| Ae Mere Zohra Jabeen | Manna Dey | F♯ Minor | 5 | 11A | 80 BPM | ||
| Suna Suna (From “Krishna Cottage”) | Shreya Ghoshal | D Major | 4 | 10B | 81 BPM | ||
| Saiyan Dil Mein Aana Re | Shamshad Begum | C Major | 4 | 8B | 103 BPM | ||
| Dil Tadap Tadap Ke Kah Raha | Mukesh, Lata Mangeshkar, Salil Chowdhury | A♭ Major | 4 | 4B | 151 BPM | ||
| Kabhi Khushi Kabhie Gham - Sad Version, 2 | Jatin-Lalit, Lata Mangeshkar | D♭ Major | 5 | 3B | 83 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| Udja Kale Kawan | Udit Narayan | D♭ Major | 6 | 3B | 139 BPM | ||
| Lag Ja Gale Se Phir (From "Woh Kaun Thi") | Lata Mangeshkar | A♭ Major | 5 | 4B | 132 BPM | ||
| Main Na Bhoolunga-1 - Sad | Lata Mangeshkar, Mukesh, Laxmikant–Pyarelal | F♯ Major | 3 | 2B | 133 BPM | ||
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Gunja Re Chandan | Hemlata, Suresh Wadkar | D Major | 4 | 10B | 146 BPM | ||
| I Love You | Alisha Chinai, Udit Narayan | G Minor | 6 | 6A | 76 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Har Dil Jo Pyar Karega (From "Sangam") | Lata Mangeshkar, Mukesh, Mahendra Kapoor, Shailendra, Shankar Jaikishan | B♭ Minor | 4 | 3A | 97 BPM |