"Chinesin, Spanierin" by Josef Bayer, Peter Falk, Rheinische Philharmonie had its release date on 1996. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Chinesin, Spanierin's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 8 in Die Puppenfee by Josef Bayer, Peter Falk, Rheinische Philharmonie. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Chinesin, Spanierin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Chinesin, Spanierin by Josef Bayer, Peter Falk, Rheinische Philharmonie is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No. 4 Moderato | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Minor | 0 | 6A | 104 BPM | ||
| Don Quixote, Act I: Coda. Basilio and Quiteria make their escape | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Ballet Suite No. 1: IV. Polka (Arr. L. Atovmyan for orchestra) | Dmitri Shostakovich, Vancouver Symphony Orchestra, Bramwell Tovey | C Major | 2 | 8B | 114 BPM | ||
| No. 10 Japanerin: Lento | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Minor | 0 | 6A | 104 BPM | ||
| Swan Lake - Prelude | London Philharmonic Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
| Etudes: XIV. Broad leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 143 BPM | ||
| Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Giselle, Peasant pas de deux, Act I: Allegretto: Adagio (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM | ||
| Coppélia, Tableau 3: No. 20 Fête de la cloche: IX. Galop final - Alternative Version | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Giselle, Peasant pas de deux, Act I: Allegretto: First Men's Variation (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
| Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 108 BPM | ||
| Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | E♭ Major | 5 | 5B | 83 BPM | ||
| Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
| Postillon Galop, Op. 16/2 | Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 4 | 5B | 164 BPM | ||
| Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
| Andante - Allegretto - Polka | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Minor | 0 | 6A | 104 BPM | ||
| Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
| Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
| Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM |