Jan Järvlepp, Pascale Margely, Janáček Philharmonic Orchestra, Stanislav Vavrinek's ' "Concerto 2000: I. Caliente!" was released on its scheduled release date, June 19, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Concerto 2000: I. Caliente! and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Concerto 2000: I. Caliente!'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto 2000: I. Caliente! by Jan Järvlepp, Pascale Margely, Janáček Philharmonic Orchestra, Stanislav Vavrinek is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Sun Triptych: II. Day | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D Major | 3 | 10B | 76 BPM | ||
| A Puppet's Dream | Darius Lim, Voices of Singapore Children’s Choir | E Minor | 2 | 9A | 127 BPM | ||
| Transfigurations: V. Yeshua | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Trio No. 5: I. Strength in the Face of Adversity | Jan Järvlepp, Benda Quartet | C Major | 1 | 8B | 96 BPM | ||
| Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Miserere mei Deus, C. 116: I. Miserere mei Deus | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 1 | 3B | 71 BPM | ||
| Christe qui lux es et Dies I | Robert White, The King's Singers | D Major | 2 | 10B | 112 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | D Major | 2 | 10B | 112 BPM | ||
| Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | F Major | 1 | 7B | 176 BPM | ||
| O viridissima virga | Hildegard von Bingen, Chloe Flower, English National Opera Chorus, Jessica Cottis, James Hawkins, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | D Major | 2 | 10B | 112 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Ochre: VII. Geothite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Requiem in C Minor, MH 155 "Pro defuncto Archiepiscopo Sigismundo": III. Offertorium. Domine Jesu Christe | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| I Will Love Thee, O Lord (Psalm 18) | William Hine, Henry John Gauntlett, Glen Dempsey, Choir of St. John's College, Cambridge, Andrew Nethsingha | C Major | 0 | 8B | 132 BPM | ||
| Transfigurations: IV. Iphis | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| All Is Miracle | Kyle Pederson, Transept, Timothy J. Campbell, Savannah Porter, Clara Osowski, Paul Sánchez | D♭ Major | 1 | 3B | 80 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D Major | 2 | 10B | 112 BPM | ||
| Lobgesang: I. Introduzione Pastorale. Andante con moto | Fanny Mendelssohn, Kammerakademie Potsdam, Justin Doyle | G Major | 1 | 9B | 63 BPM |