Keyboard Suite No. 1 (Set I) in A Major, HWV 426: IV. Gigue by George Frideric Handel, Philip Edward Fisher Song Details

On March 30, 2010, the song "Keyboard Suite No. 1 (Set I) in A Major, HWV 426: IV. Gigue" was released by George Frideric Handel, Philip Edward Fisher. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Philip Edward Fisher's "Handel: Keyboard Suites, Vol. 1" album is number 4 out of 20. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Keyboard Suite No. 1 (Set I) in A Major, HWV 426: IV. Gigue is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Keyboard Suite No. 1 (Set I) in A Major, HWV 426: IV. Gigue by George Frideric Handel, Philip Edward Fisher to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.396 dB
Acousticness: 99%
Danceability: 42%
Energy: 32%
Instrumentalness: 91%
Liveness: 14%
Loudness: 66%
Speechiness: 7%
Valence: 97%

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