"Rinaldo, HWV 7, Act I Scene 7: Aria. Cara sposa, amante cara, dove sei? (Rinaldo)" by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon had its release date on February 21, 2006. This song appears to be safe for all ages as it is not explicit. The track order of this song in George Frideric Handel, Kimberley Barber, Opera in Concert, Kevin Mallon's "Handel: Rinaldo" album is number 15 out of 48. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Rinaldo, HWV 7, Act I Scene 7: Aria. Cara sposa, amante cara, dove sei? (Rinaldo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo, HWV 7, Act I Scene 7: Aria. Cara sposa, amante cara, dove sei? (Rinaldo) by George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rinaldo / Act 1: Aria: Ogn'indugio | George Frideric Handel, David Daniels, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 103 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Stabat Mater, P. 77: VIII. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
| The Old Batchelor, Z. 607: IV. Slow Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | A♭ Minor | 1 | 1A | 128 BPM | ||
| Polly, Act III: Air 6: Shall Man, in Arne's Abel: My heart forebodes (Polly) | Samuel Arnold, Johann Christoph Pepusch, Laura Albino, Eve Rachel McLeod, Gillian Grossman, Marion Newman, Loralie Kirkpatrick, Bud Roach, Lawrence Wiliford, Andrew Mahon, Matthew Grosfeld, Jason Nedecky, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 85 BPM | ||
| Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | ||
| Requiem: VII. Recordare | Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra, Christine Brewer | F Major | 0 | 7B | 85 BPM | ||
| Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 0 | 1B | 89 BPM | ||
| Requiem, K. 626 (Ed. Beyer/Levin): IIIb. Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM | ||
| Dixit Dominus, RV 595: Virgam virtutis tuae: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 122 BPM | ||
| Alcina, HWV 34 / Act 1: Questo è il cielo de' contenti | George Frideric Handel, Il Complesso Barocco, Alan Curtis | B♭ Major | 3 | 6B | 148 BPM | ||
| Bassani: In caligine umbrosa: IV. Ardendo suspiro... Jam gratae memoriae | Philippe Jaroussky | C Minor | 1 | 5A | 116 BPM | ||
| Dixit Dominus, RV 595: Judicabit in nationibus: Largo - Presto | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 122 BPM | ||
| Missa solemnis, Op. 123: I. Kyrie: b. Christe eleison | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 3 | 9B | 75 BPM | ||
| Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
| Rinaldo, HWV 7, Act II Scene 3: Recitative. Signor, strano ardimento! (Eustazio) - Aria. Mio cor, che mi sai dir? [Goffredo] | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
| Introduzione al miserere, RV 638 "Filiae Maestae Jerusalem": I. Filiae maestae Jerusalem | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | A Major | 0 | 11B | 70 BPM | ||
| Polly, Act II: Air 14: The Marlborough: We the sword of valour (Morano) | Johann Christoph Pepusch, Samuel Arnold, Laura Albino, Eve Rachel McLeod, Gillian Grossman, Marion Newman, Loralie Kirkpatrick, Bud Roach, Lawrence Wiliford, Andrew Mahon, Matthew Grosfeld, Jason Nedecky, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 71 BPM | ||
| Parsifal, Act I: He! Ho! Waldhüter ihr – Seht dort, die wilde Reiterin | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
| Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | E Minor | 0 | 9A | 138 BPM | ||
| Polly, Act III: Air 7: The Temple: Justice long forbearing (Cawwawkee, Indian Scout, Polly, Chorus) | Samuel Arnold, Johann Christoph Pepusch, Laura Albino, Eve Rachel McLeod, Gillian Grossman, Marion Newman, Loralie Kirkpatrick, Bud Roach, Lawrence Wiliford, Andrew Mahon, Matthew Grosfeld, Jason Nedecky, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 85 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM |