Gloria: II. Andante by John Rutter, St. Albans Cathedral Choir, Tom Winpenny, Ensemble DeChorum, Andrew Lucas Song Details

"Gloria: II. Andante" by John Rutter, St. Albans Cathedral Choir, Tom Winpenny, Ensemble DeChorum, Andrew Lucas had its release date on April 5, 2011. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rutter: Gloria - Magnificat - Te Deum". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. The popularity of Gloria: II. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Gloria: II. Andante by John Rutter, St. Albans Cathedral Choir, Tom Winpenny, Ensemble DeChorum, Andrew Lucas having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -28.466 dB
Acousticness: 97%
Danceability: 8%
Energy: 2%
Instrumentalness: 75%
Liveness: 10%
Loudness: 53%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Considering Matthew Shepard, Epilogue: No. 30, Meet Me Here	Craig Hella Johnson, Conspirare	C Major	0	8B	81 BPM
Ich bin der Welt abhanden gekommen	Gustav Mahler, The Norwegian Soloists' Choir	E♭ Major	0	5B	134 BPM
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version)	Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge	D Major	1	10B	137 BPM
Shall I Compare Thee To A Summer's Day? (Sonnet No. 18)	Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir	A Minor	1	8A	80 BPM
Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis)	Oulun kamariorkesteri, Cantio Laudis -kuoro	C Minor	1	5A	76 BPM
A Prayer	Ken Burton, Jason Max Ferdinand Singers, Jason Max Ferdinand	G Major	1	9B	133 BPM
God is Gone Up	Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha	E Major	2	12B	82 BPM
Be Thou My Vision	John Rutter, City of London Sinfonia, The Cambridge Singers	E Major	0	12B	85 BPM
In pace	John Sheppard, The Cambridge Singers, John Rutter	F♯ Minor	0	11A	107 BPM
Mass No.2 in G Major, D.167: I. Kyrie	Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra	F Major	0	7B	159 BPM
Lay a garland on her hearse	Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley	A Minor	0	8A	69 BPM
Dona nobis pacem: Reconciliation	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	C Major	2	8B	83 BPM
Gloriana, Op. 53: Choral Dance No. 1, Time	Benjamin Britten, John Rutter, The Cambridge Singers	D Major	2	10B	108 BPM
Media Vita	Kerensa Briggs, Reading Phoenix Choir, Christoper Hann	F♯ Major	1	2B	104 BPM
The Passing of the Year: No. 1, Invocation	Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris	E Minor	1	9A	81 BPM
Evening Service in B Minor, Op. 6: I. Magnificat	T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne	E Minor	2	9A	76 BPM
They That Go Down To The Sea In Ships	Sumsion, Ely Cathedral Choir, Paul Trepte, Scott Farrell	D♭ Minor	2	12A	168 BPM
Sing Praise to Our Creator	Basilica of the National Shrine of the Immaculate Conception Choir	F Major	2	7B	74 BPM
Requiem: II. Out of the deep	Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Marcus Coleridge	D Major	0	10B	83 BPM
Five Mystical Songs: 5. Antiphon	Ralph Vaughan Williams, Michael Leighton Jones, Jonathan Bradley, The Choir of Trinity College, Melbourne, Tinalley String Quartet	E♭ Major	3	5B	57 BPM
Chorale for Ascension Day (Easter Chorale)	Samuel Barber, Ormond College Choir, Douglas Lawrence	D♭ Minor	1	12A	126 BPM
Oedipus, Z.583: II. Music for a While	Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg	D♭ Major	4	3B	80 BPM
The Crucifixion: IX. Chorus – God so loved the world	John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson	E Major	2	12B	76 BPM
Esti dal (Evening Song)	Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai	D Major	2	10B	102 BPM
Mass in C Major, Op. 86: I. Kyrie	Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra	C Major	1	8B	79 BPM