Good at Being Bad
Brahms' Third Racket
The View from Under the Bus
4:16 January 2, 2022
BPM
115
Key
C Major
Camelot
8B

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Good at Being Bad by Brahms' Third Racket Song Details

Brahms' Third Racket's ' "Good at Being Bad" was released on its scheduled release date, January 2, 2022. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "The View from Under the Bus". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Good at Being Bad is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With Good at Being Bad by Brahms' Third Racket having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-7.925 dB
Acousticness
1%
Danceability
62%
Energy
62%
Instrumentalness
0%
Liveness
46%
Loudness
87%
Speechiness
3%
Valence
49%

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ISRC
uscgh2258152
Label
L-M Records/RCA Records