"They Set Us Ablaze From a Distance" by McLarnan had its release date on December 25, 2024. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Shall Exist! (...in a Perpetual State of Probability Until Observed) by McLarnan. The song's track number on the album is #5 out of 11 tracks. In terms of popularity, They Set Us Ablaze From a Distance is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since They Set Us Ablaze From a Distance by McLarnan has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With They Set Us Ablaze From a Distance being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lack of Language | Wordclock | A♭ Minor | 4 | 1A | 81 BPM | ||
| Circle 18 - Hainbach Rework | Robot Koch, Foam and Sand, Hainbach | A♭ Major | 1 | 4B | 100 BPM | ||
| Outro | Menual, Spaceouters | A♭ Minor | 2 | 1A | 71 BPM | ||
| Her Beating Wings | This Patch of Sky | D♭ Major | 2 | 3B | 99 BPM | ||
| The Deepness | Those Who Ride With Giants | E Minor | 0 | 9A | 85 BPM | ||
| Pray for Us | Kiselёk, SymphoCat | B Minor | 2 | 10A | 78 BPM | ||
| Ad Caelum | I Hear Sirens | F♯ Minor | 7 | 11A | 120 BPM | ||
| Fire | The Best Pessimist | F♯ Major | 7 | 2B | 150 BPM | ||
| Encroaching Shadows Beckon to Chase the Fleeing Light | Dahlia's Tear | F♯ Minor | 2 | 11A | 45 BPM | ||
| The Vessel | We Lost The Sea | B♭ Minor | 1 | 3A | 140 BPM | ||
| Prudence | Desolate Horizons | B♭ Major | 2 | 6B | 109 BPM | ||
| Divers in the Water | Ben Chatwin | D Major | 2 | 10B | 96 BPM | ||
| It Is My Policy | The Xenoliths | D Major | 7 | 10B | 129 BPM | ||
| The Last Tide | Dan Caine | F♯ Minor | 5 | 11A | 90 BPM | ||
| A Dream to Call My Own (feat. Janell Rosa) | Nature Feels, Janell Rosa | G Major | 7 | 9B | 133 BPM | ||
| Presentes futuros | Gustavo Bernadet | B Major | 1 | 1B | 174 BPM | ||
| Uninvited Guests | McLarnan | D Major | 1 | 10B | 150 BPM | ||
| A Thousand Night Aboard | Silent Island | A♭ Minor | 1 | 1A | 80 BPM | ||
| Love Is... | The Best Pessimist | E♭ Major | 6 | 5B | 150 BPM | ||
| endless, somewhere | Nitewalk | D Major | 2 | 10B | 80 BPM | ||
| They Set Us Ablaze From a Distance | McLarnan | D Major | 2 | 10B | 105 BPM | ||
| We Both Know the Rest | McLarnan | A Minor | 1 | 8A | 129 BPM | ||
| New Tokyo Streets | Pedro Macedo Camacho | D♭ Minor | 1 | 12A | 119 BPM | ||
| Slowdown | Thomas Brett | G Minor | 1 | 6A | 140 BPM | ||
| The Preface | Those Who Ride With Giants | E Minor | 0 | 9A | 117 BPM |