"X-Men Arrive" by Tyler Bates had its release date on May 11, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 22 in Deadpool 2 (Original Motion Picture Score) by Tyler Bates. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. X-Men Arrive is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of X-Men Arrive by Tyler Bates is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Captain Marvel | Pinar Toprak | C Major | 5 | 8B | 105 BPM | ||
| Beautiful Lie | Hans Zimmer, Junkie XL | C Minor | 1 | 5A | 85 BPM | ||
| Recognizer - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 5 | 3B | 104 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| Main Title Terminator 2 Theme - Remastered 2017 | Brad Fiedel | C Major | 5 | 8B | 54 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Journey to the Caves | Daniel Pemberton | E Major | 7 | 12B | 94 BPM | ||
| The Devil & The Daughter - Bonus Track | Daniel Pemberton | G Major | 4 | 9B | 171 BPM | ||
| Sumo Showdown | Tyler Bates, Joel J. Richard | D Major | 9 | 10B | 138 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Eon | NINJA TRACKS | C Minor | 5 | 5A | 120 BPM | ||
| The New Colossus | Mick Gordon | D Major | 3 | 10B | 143 BPM | ||
| Number 1 Loses It | Chris Benstead | A♭ Major | 3 | 4B | 137 BPM | ||
| The Terminator Theme (Extended Version) | Brad Fiedel | B Major | 5 | 1B | 130 BPM | ||
| The Batman Main Trailer Music - Epic Version | Krutikov Music | B♭ Minor | 4 | 3A | 80 BPM | ||
| Going Dark | Sarah Schachner | C Minor | 2 | 5A | 180 BPM | ||
| Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
| With No Mercy | Secession Studios, Greg Dombrowski | D Minor | 4 | 7A | 85 BPM | ||
| Apocalypse | Jesper Kyd | C Major | 6 | 8B | 83 BPM | ||
| The Freakshow | Nathan Whitehead | D♭ Major | 3 | 3B | 122 BPM | ||
| Event Horizon | Hi-Finesse | G Minor | 7 | 6A | 156 BPM | ||
| Fall - From "TRON: Legacy"/Score | Daft Punk | B Minor | 7 | 10A | 180 BPM | ||
| Come and Get Them - Based Upon Themes by Elliot Goldenthal | Tyler Bates | B Minor | 5 | 10A | 78 BPM | ||
| The Rise of the Beast | West Dylan Thordson | D Major | 2 | 10B | 81 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM |