"Miniver Cheevy" by John Duke, Donald Hassard, Donald Gramm had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 20 in But Yesterday is Not Today: The American Art Song, 1927-1972 by Bethany Beardslee, Donald Hassard, Donald Gramm, Robert Helps. In terms of popularity, Miniver Cheevy is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Miniver Cheevy by John Duke, Donald Hassard, Donald Gramm is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | D Major | 0 | 10B | 74 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| Fauré: 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | F♯ Minor | 1 | 11A | 167 BPM | ||
| Rossini: Péchés de vieillesse, Album II "Album français": No. 7, Le dodo des enfants | Gioachino Rossini, Rockwell Blake, Antonio Pappano | D Major | 0 | 10B | 74 BPM | ||
| L'omnibus automobile | Erik Satie, Measha Brueggergosman, William Bolcom | F Minor | 0 | 4A | 133 BPM | ||
| Vier Lieder, Op. 2: II. Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt) | Arnold Schoenberg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
| Chanson d'Amour, Opus 27, No. 1 | Gabriel Fauré, Barbara Bonney, Warren Jones | F♯ Major | 1 | 2B | 81 BPM | ||
| Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
| Songs to Portions of "From the Sea" by Sara Teasdale | Carole Bogard, John Duke | D♭ Minor | 1 | 12A | 137 BPM | ||
| Voici que le printemps, L. 6 | Dilyana Georgieva, Galina Apostolova | F Minor | 1 | 4A | 129 BPM | ||
| 里の秋 | Yumiko Samejima, ヘルムート・ドイチュ | F Major | 1 | 7B | 135 BPM | ||
| Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Mahler: Rückert-Lieder: No. 3, Blicke mir nicht in die Lieder | Gustav Mahler, Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | ||
| Petite messe solennelle, Credo: XI. Crucifixus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A♭ Major | 1 | 4B | 131 BPM | ||
| Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM | ||
| Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | ||
| 15 Neue Liebeslieder Op. 65: II. Finstere Schatten der Nacht (Persisch) | Johannes Brahms, Barbara Bonney | F Major | 1 | 7B | 85 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| L'Abbandono | Vincenzo Bellini, Cecilia Bartoli, James Levine | C Minor | 1 | 5A | 70 BPM | ||
| Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau/Helmut Deutsch | A♭ Major | 0 | 4B | 66 BPM | ||
| Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | D Minor | 1 | 7A | 112 BPM | ||
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM |