On January 1, 1995, the song "La Abandoné Y No Sabía" was released by Ricardo Tanturi, Enrique Campos. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La Abandoné Y No Sabía's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 78 in Así se Baila el Tango by Ricardo Tanturi. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, La Abandoné Y No Sabía's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of La Abandoné Y No Sabía by Ricardo Tanturi, Enrique Campos is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Corazón | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Minor | 5 | 6A | 135 BPM | ||
| Mozo Guapo | Ricardo Tanturi, Alberto Castillo | E♭ Minor | 4 | 2A | 142 BPM | ||
| Telon | Lucio Demare, O.T. con Juan Carlos Miranda | C Major | 1 | 8B | 128 BPM | ||
| Colorao, Colorao | Orquesta Anibal Troilo, Francisco Fiorentino | E Minor | 4 | 9A | 112 BPM | ||
| Parque Patricios | Francisco Lomuto y su Orquesta Típica | D Minor | 5 | 7A | 114 BPM | ||
| Humillación | Juan D'Arienzo, Héctor Mauré | E♭ Minor | 4 | 2A | 142 BPM | ||
| Bajo El Cono Azul | Orquesta Tipica Victor | D♭ Minor | 4 | 12A | 118 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM | ||
| Asi se canta | Ricardo Tanturi y Enrique Campos | F Minor | 4 | 4A | 123 BPM | ||
| Rondando Tu Esquina | Angel D'Agostino, Ángel Vargas | E♭ Minor | 4 | 2A | 142 BPM | ||
| Soy muchacho de la guardia | Orquesta Anibal Troilo, Francisco Fiorentino | C Major | 3 | 8B | 129 BPM | ||
| Todo Te Nombra | Rodolfo Biagi, Orquesta Rodolfo Biagi | G Minor | 3 | 6A | 131 BPM | ||
| El Puntazo | Hyperion Ensemble | D Minor | 4 | 7A | 134 BPM | ||
| Igual Que un Bandoneón | Lucio Demare, Horacio Quintana | D Minor | 3 | 7A | 123 BPM | ||
| Vuelve amor | Orquesta Fulvio Salamanca, Armando Guerrico | D Major | 3 | 10B | 78 BPM | ||
| Qué Importa | Chino Laborde, Solo Tango Orquesta | F Major | 4 | 7B | 138 BPM | ||
| Que Tiempo Aquel de Ayer | Francisco Lomuto, Jorge Omar | E♭ Minor | 4 | 2A | 142 BPM | ||
| Violetas | Alberto Castillo | E♭ Minor | 4 | 2A | 142 BPM | ||
| Recién | Pedro Laurenz, Alberto Podestá | E♭ Minor | 4 | 2A | 142 BPM | ||
| Marion | Rodolfo Biagi, Miguel Caló, Raul Iriarte | D Major | 3 | 10B | 128 BPM | ||
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Silbar de boyero | David Barberis, Orquesta Osvaldo Pugliese, Roberto Chanel | G Major | 1 | 9B | 120 BPM | ||
| Argañaraz (Aquellas farras) | Ricardo Tanturi | E♭ Minor | 4 | 2A | 142 BPM | ||
| Condena (S.O.S.) | Hyperion Ensemble, Ruben Peloni | E Minor | 3 | 9A | 129 BPM | ||
| Torrente | Hyperion Ensemble, Ruben Peloni | B Major | 4 | 1B | 117 BPM |