James McCawley's ' "Trenches, Pt. 1" was released on its scheduled release date, September 3, 2013. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Origins (Original Game Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Trenches, Pt. 1's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Trenches, Pt. 1 by James McCawley having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Bound | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| What's Going On? | Zhenlan Kang | B Major | 3 | 1B | 83 BPM | ||
| Jacked | Steve Jablonsky, Jacob Shea, Gears of War | B Minor | 8 | 10A | 124 BPM | ||
| Driven and Drowned | Rotem Moav | D Major | 5 | 10B | 128 BPM | ||
| Papers, Please | Mick Gordon | F♯ Major | 1 | 2B | 146 BPM | ||
| Dinner with Sasha | James Dooley | B♭ Minor | 7 | 3A | 100 BPM | ||
| Watchers | SIE Sound Team | D♭ Major | 4 | 3B | 92 BPM | ||
| Oh, Caroline | Mick Gordon | C Minor | 1 | 5A | 171 BPM | ||
| Dark Ruin | Hiromitsu Maeba | C Major | 7 | 8B | 130 BPM | ||
| Crystal Sages | Motoi Sakuraba | A Major | 4 | 11B | 78 BPM | ||
| Consumed by Darkness | Jonathan Van Den Wijngaarden, Re-Logic, Frank Klepacki | F Major | 8 | 7B | 90 BPM | ||
| Commander of the Ausmerzer | Martin Stig Andersen | G Major | 4 | 9B | 131 BPM | ||
| House of Ruin (Trailer) | Stuart Chatwood | B♭ Major | 3 | 6B | 97 BPM | ||
| Club Thumper - Retro Cat | James McCawley | D♭ Major | 9 | 3B | 125 BPM | ||
| Removing the Bandit Threat | Sascha Dikiciyan, Cris Velasco | F♯ Major | 6 | 2B | 130 BPM | ||
| Worshippers of the Dead | Yuka Kitamura | D♭ Major | 5 | 3B | 145 BPM | ||
| Trash the Bandits Some More | Sascha Dikiciyan, Cris Velasco | D♭ Minor | 7 | 12A | 145 BPM | ||
| Residual | Mick Gordon | D Minor | 3 | 7A | 170 BPM | ||
| The Brother | Gerard Marino | A Minor | 7 | 8A | 133 BPM | ||
| BFG Division / Rip & Tear / Suspense (From "Doom") | Pontus Hultgren | B Minor | 8 | 10A | 80 BPM | ||
| Dropship Battle (Bonus Track) | Cris Velasco, Sascha Dikiciyan | F Minor | 5 | 4A | 120 BPM | ||
| His Soul Was Free from Sin | Dan Romer | D♭ Major | 9 | 3B | 93 BPM | ||
| Voice In Your Head | James McCawley | C Minor | 4 | 5A | 220 BPM | ||
| Old Warriors | Yoshimi Kudo | D♭ Minor | 6 | 12A | 119 BPM |