Dísella's 'Oh! Quante Volte' had a release date set for January 1, 2007. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Solo Noi". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Iceland. In terms of popularity, Oh! Quante Volte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oh! Quante Volte by Dísella having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Welsh National Opera Orchestra, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
| SV163: Lamento Della Ninfa | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
| Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | ||
| Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
| Après Un Rêve Opus 7/1 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
| Umebayashi: Lovers | Shigeru Umebayashi, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Granada | Agustín Lara, Bryn Terfel, Joseph Calleja, Czech Philharmonic, Paul Bateman | B Minor | 5 | 10A | 163 BPM | ||
| Handel: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | D♭ Major | 2 | 3B | 120 BPM | ||
| The Bell Song - From “Florence Foster Jenkins” Soundtrack | Léo Delibes, Aida Garifullina, London Metropolitan Orchestra, Terry Davies | B♭ Major | 2 | 6B | 81 BPM | ||
| Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
| Solo Noi | Dísella | B Major | 9 | 1B | 155 BPM | ||
| La llorona | Traditional, Rolando Villazón, Xavier De Maistre | B Minor | 1 | 10A | 104 BPM | ||
| Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | G Minor | 2 | 6A | 81 BPM | ||
| Carmina Burana / III. Cour d'amours: "In trutina" - Live from the Forbidden City | Carl Orff, Aida Garifullina, Shanghai Symphony Orchestra, Long Yu | D♭ Major | 0 | 3B | 93 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Dumka (Reverie): Dumka | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | A Minor | 0 | 8A | 133 BPM | ||
| Signor Mirate | Emma Shapplin | F♯ Major | 3 | 2B | 67 BPM | ||
| Ást án orða | Dísella | D♭ Major | 4 | 3B | 134 BPM | ||
| Alluki | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F Major | 1 | 7B | 174 BPM |