- BPM
- 90
- Key
- G Major
- Camelot
- 9B
Finale Act Two by David Rendall Song Details
"Finale Act Two" by David Rendall had its release date on May 27, 1997. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 11 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Finale Act Two is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Finale Act Two by David Rendall to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.197 dB
- Acousticness
- 96%
- Danceability
- 19%
- Energy
- 22%
- Instrumentalness
- 34%
- Liveness
- 8%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Puccini: Tosca, Act 3: "Io de' sospiri" (Shepherd) | Giacomo Puccini, Alvaro Cordova/Orchestra del Teatro alla Scala, Milano/Victor de Sabata, Alvaro Cordova, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | |
 | Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | |
 | Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | |
 | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro ma non troppo vivace - Adagio cantabile - Allegro - Allegro moderato - Allegro | Ludwig van Beethoven, Alison Hargan, Della Jones, Wyn Morris, David Rendall, Gwynne Howell, London Symphony Orchestra | C Major | 2 | 8B | 85 BPM | |
 | Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | |
| Massenet / Transcr. Kadishson for Voice and Guitar: Élégie | Jules Massenet, Liat Cohen | F Major | 1 | 7B | 91 BPM | |
 | Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | |
 | H.M.S. Pinafore, Act I: Let's Give Three Cheers for the Sailor's Bride | Gilbert & Sullivan Society of Houston | E♭ Major | 6 | 5B | 114 BPM | |
 | Romberg: The Student Prince, Act 1: Drinking Song. "Drink to Eyes That Are Bright as Stars" (Karl Franz, Chorus) | José Carreras | B♭ Major | 3 | 6B | 95 BPM | |
 | Mary Stuart, A. 43, In. 52, Act I: Did you not ask to see me, earlier today? (Dudley, Talbot) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, David Rendall, John Tomlinson | D♭ Major | 1 | 3B | 81 BPM | |
 | Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.2: My work is done | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | |
 | Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Quand j'étais roi de Béotie (John Styx) | Jacques Offenbach, Steven Cole/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 142 BPM | |
 | Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Giorgio Giorgetti, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | G Major | 1 | 9B | 104 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | |
 | Così fan tutte, K. 588 / Act I: "Ah, scostati!" | Wolfgang Amadeus Mozart, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 176 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | |
 | H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | |
 | Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM |
- ISRC
- GBDGA0604062
- Label
- L-M Records/RCA Records