Heitor Villa-Lobos, John Morris's ' "Suite Populaire Bresilienne - Villa-Lobos: a. Mazurka Choro" was released on its scheduled release date, January 1, 2007. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Rosewood". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite Populaire Bresilienne - Villa-Lobos: a. Mazurka Choro is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Suite Populaire Bresilienne - Villa-Lobos: a. Mazurka Choro by Heitor Villa-Lobos, John Morris having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Catalan Folk Songs: El testament d'Amelia | Miguel Llobet Solés, Miloš Karadaglić | D Minor | 0 | 7A | 94 BPM | ||
| Capriccio Diabolico ''Omaggio a Paganini'', Op.85 | Mario Castelnuovo-Tedesco, Kazuhito Yamashita | G Major | 1 | 9B | 86 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: IV. Gavotte et Musette | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 74 BPM | ||
| Handel: Suite No.4 In D Minor For Harpsichord, HWV 437: 3. Sarabande (Arr. For Solo Guitar By Andrés Segovia) | George Frideric Handel, Andrés Segovia | D Minor | 3 | 7A | 86 BPM | ||
| Studio Op.100 N.11 - Allegro | Mauro Giuliani, Lucio Matarazzo | A Major | 1 | 11B | 118 BPM | ||
| Debussy: Clair de lune from Suite Bergamasque | Claude Debussy, Aurélien Pontier | D♭ Major | 0 | 3B | 66 BPM | ||
| Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
| Bachianas brasileiras No. 7: II. Giga. Quadrilha Caipira (Country Quadrille) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 2 | 5A | 86 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM | ||
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Suite Castellana: Danza | Federico Moreno Torroba, Enno Voorhorst | E Major | 1 | 12B | 88 BPM | ||
| Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) | Heitor Villa-Lobos, Liat Cohen, Natalie Dessay | A Minor | 0 | 8A | 70 BPM | ||
| Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
| Bachianas brasileiras No. 1: II. Preludio. Modinha | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | D Minor | 0 | 7A | 80 BPM | ||
| Prelude No. 1 | Heitor Villa-Lobos, Simon Dinnigan | E Minor | 1 | 9A | 74 BPM | ||
| Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM |