"Everything Was Red" by Rachael Sage had its release date on January 1, 2010. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 13 in Delancey Street by Rachael Sage. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Everything Was Red is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everything Was Red by Rachael Sage is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy Ever After | The Rescues | F Major | 6 | 7B | 105 BPM | ||
| Can You Hear Me? | Emmy Rich, Calvin Thomas | B Major | 5 | 1B | 92 BPM | ||
| Blue Sky Days | Rachael Sage | C Major | 2 | 8B | 126 BPM | ||
| Everyday | Rachael Sage, The Sequins | A♭ Major | 2 | 4B | 129 BPM | ||
| Hole In The Heart | Karine Polwart | C Major | 6 | 8B | 134 BPM | ||
| Quiet Violence | Sharon Kenny | C Major | 4 | 8B | 132 BPM | ||
| Happier | Olivia Espinoza | C Minor | 4 | 5A | 125 BPM | ||
| Lights Camera Action (From "Dance Moms") | Analogue Revolution | A Major | 6 | 11B | 129 BPM | ||
| People | Audrey Ryan | C Major | 1 | 8B | 112 BPM | ||
| Tomorrow is a Chance to Start Over (song) | Hilary Grist | E♭ Major | 3 | 5B | 80 BPM | ||
| Call Your Girlfriend | Lucy Wainwright Roche | F Major | 2 | 7B | 91 BPM | ||
| Horses | Dala | G Major | 2 | 9B | 130 BPM | ||
| Powder | Poetica, Rachael Sage | A Minor | 5 | 8A | 81 BPM | ||
| How Good We Had It | Hayley Taylor | E Major | 5 | 12B | 146 BPM | ||
| I Feel Alive | Jules Larson | E Major | 8 | 12B | 148 BPM | ||
| Race You | Elizabeth & the Catapult | C Major | 7 | 8B | 103 BPM | ||
| Trouble | Kristin Hersh | G Major | 3 | 9B | 126 BPM | ||
| Sweater | Trina Read | A Major | 4 | 11B | 95 BPM | ||
| Lonely Ghosts | O+S | C Major | 4 | 8B | 116 BPM | ||
| Angel Flying Too Close To The Ground | Beth Rowley | F♯ Major | 2 | 2B | 126 BPM | ||
| We Are Golden | Raphael Lake, Aaron Levy | A Minor | 7 | 8A | 130 BPM | ||
| The World Is Ours | Rupert Pope, Giles Palmer | G Major | 4 | 9B | 150 BPM | ||
| Sidewalk Chalk | Annalise Emerick | F Major | 2 | 7B | 181 BPM | ||
| Every Time It Rains | Charlotte Martin | A Minor | 8 | 8A | 105 BPM | ||
| Between | Vienna Teng | A♭ Major | 5 | 4B | 158 BPM |