"Path of Emptiness II" by New Risen Throne had its release date on November 9, 2016. This song appears to be safe for all ages as it is not explicit. There are a total of 27 in the song's album "New Risen Throne". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Path of Emptiness II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Path of Emptiness II by New Risen Throne having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Riddled With Guilt | Council of Nine | A Major | 3 | 11B | 128 BPM | ||
| Something Like Rebirth | Hadamard Gate | G Minor | 3 | 6A | 106 BPM | ||
| Temple of Abandon | Enmarta | A Minor | 3 | 8A | 135 BPM | ||
| Entranced with the Dead | Beithíoch | G Major | 1 | 9B | 80 BPM | ||
| Through the Gates of Death | Inade | B♭ Major | 4 | 6B | 127 BPM | ||
| Overture Bells | Inade | E♭ Major | 4 | 5B | 62 BPM | ||
| Flesh | Sabled Sun | A Minor | 1 | 8A | 80 BPM | ||
| Oceanum Mortuis | In Quantum | C Minor | 2 | 5A | 176 BPM | ||
| Disassembly | Hadamard Gate | C Minor | 4 | 5A | 92 BPM | ||
| Future Cries of No Tomorrow | Ruptured World | C Minor | 1 | 5A | 88 BPM | ||
| March of the Priests | Enmarta | A♭ Major | 2 | 4B | 49 BPM | ||
| Dreaming Amos | Randal Collier-Ford | D Minor | 2 | 7A | 75 BPM | ||
| Cult Procession | Alex Crispin | D Major | 5 | 10B | 73 BPM | ||
| Dweller on the Threshold | Musica Cthulhiana | C Major | 1 | 8B | 61 BPM | ||
| The Forgotten Empire | Monasterium Imperi | D Major | 1 | 10B | 74 BPM | ||
| Reservoir Dreamer | God Body Disconnect | C Major | 3 | 8B | 71 BPM | ||
| Watching Eden Burn | Randal Collier-Ford | A Major | 3 | 11B | 75 BPM | ||
| Charon | Phonothek | B♭ Minor | 5 | 3A | 80 BPM | ||
| Passing Bell | Desiderii Marginis | B♭ Minor | 3 | 3A | 128 BPM | ||
| The Coming | Vestigial | F♯ Major | 5 | 2B | 138 BPM | ||
| The Shadow Is One | Desiderii Marginis | E Major | 5 | 12B | 73 BPM | ||
| The Hierophant | Kammarheit | D Minor | 2 | 7A | 95 BPM | ||
| Message from the Horsemen | Dead Melodies, Beyond the Ghost | E Minor | 1 | 9A | 105 BPM | ||
| Onncult | Musica Cthulhiana | C Minor | 1 | 5A | 94 BPM | ||
| Morality in Collapse | Apocryphos, Penumbral Aethyr | A♭ Major | 3 | 4B | 86 BPM |