"Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez had its release date on January 1, 1995. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Ravel: Daphnis et Chloë". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. The popularity of Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a BPM of 189 with a half-time of 94 BPM and a double-time of 378 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 1 | 9A | 77 BPM | ||
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
| Shostakovich: Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Mariss Jansons, Berliner Philharmoniker | E♭ Major | 1 | 5B | 78 BPM | ||
| Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Piano Concerto No. 3 in D Minor, Op. 30: 2. Intermezzo (Adagio) | Sergei Rachmaninoff, Lilya Zilberstein, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 88 BPM | ||
| Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace - Doppio più lento | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 0 | 7A | 126 BPM | ||
| Valses nobles et sentimentales, M.61: 7. Moins vif | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 168 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Symphony No.2 In D, Op.36: 2. Larghetto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 143 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | D Minor | 3 | 7A | 113 BPM | ||
| Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 121 BPM | ||
| Piano Concerto For The Left Hand In D, M. 82: 2. Allegro | Maurice Ravel, Jean-Yves Thibaudet, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 95 BPM | ||
| Symphony No. 9: Ib. Etwas frischer - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 175 BPM | ||
| Don Quixote, Op. 35: IX. Var. 6, Dulcinea's Enchantment. Schnell | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 108 BPM | ||
| Symphony No. 9: IVf. Fliessender, doch durchaus nicht eilend - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Coriolan, Op. 62: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 86 BPM | ||
| Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: III. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 25, Dance with Mandolins | Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 1 | 5B | 108 BPM | ||
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | E Major | 0 | 12B | 88 BPM |