Mohammed Rafi's ' "Jahan Dal Dal Pe Sone Ki Chidiya" was released on its scheduled release date, January 1, 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Sikander-E-Azam". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Jahan Dal Dal Pe Sone Ki Chidiya is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Jahan Dal Dal Pe Sone Ki Chidiya by Mohammed Rafi having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saare Jahaan Se Achchaa | M Madhumitha | F♯ Minor | 7 | 11A | 120 BPM | ||
| Pyar Chahiye Mujhe Jine Ka Liye | Bappi Lahiri | F♯ Major | 1 | 2B | 124 BPM | ||
| Ae Mere Pyare Watan | Arnab Chakraborty, Swaraaj, Salil Chowdhury | A♭ Minor | 7 | 1A | 166 BPM | ||
| Jiyo Hazaro Saal | Geeta Dutt, S. D. Burman | F Major | 4 | 7B | 115 BPM | ||
| Aaj Ki Raat Mere Dil Ki Salami Lele | Mohammed Rafi | A♭ Major | 4 | 4B | 126 BPM | ||
| Yeh Nain Dare Dare | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Jane Kahan Mera Jigar Gaya Ji | Geeta Dutt, Mohammed Rafi | F♯ Major | 5 | 2B | 121 BPM | ||
| Naina Lad Jaihen | Mohammed Rafi | A Major | 6 | 11B | 107 BPM | ||
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Do Deewane Shaher Mein | Runa Laila, Bhupinder Singh, Gulzar | B♭ Major | 7 | 6B | 84 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Kismat Ki Jeb Mein | Mehmood | C Major | 4 | 8B | 109 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Lanka Mein Danka | Shabbir Kumar | D♭ Major | 8 | 3B | 160 BPM | ||
| Commentary Tabussum And Ho Pardesia - Mrnatwarlal | Tabassum, Kishore Kumar, Lata Mangeshkar, Rajesh Roshan | A♭ Major | 7 | 4B | 66 BPM | ||
| Hindustani (Suno Gaur Se Duniya Walo) | Shankar Mahadevan, Udit Narayan, Mahalakshmi Iyer, Dominique | A♭ Major | 9 | 4B | 143 BPM | ||
| Aana Hai To Aa | Mohammed Rafi | B Major | 4 | 1B | 131 BPM | ||
| Main Pyar Ka Rahi Hoon | Asha Bhosle, Mohammed Rafi | D♭ Minor | 3 | 12A | 116 BPM | ||
| Yeh Desh Hai Veer Jawanon Ka | Mohammed Rafi, Balbir | D♭ Major | 7 | 3B | 99 BPM | ||
| Jab Dil Hi Toot Gaya | K. L. Saigal | E♭ Minor | 5 | 2A | 111 BPM | ||
| Aaina Mujhse Mere | Talat Aziz | F♯ Minor | 5 | 11A | 138 BPM | ||
| Ja Tose Nahin Bolun Kanhaiya | Lata Mangeshkar, Manna Dey, Shailendra | D♭ Major | 4 | 3B | 101 BPM | ||
| Dil Hai Ki Manta Nahin (From "Dil Hai Ke Manta Nahin") | Anuradha Paudwal, Kumar Sanu | A♭ Major | 5 | 4B | 118 BPM | ||
| Kahin Pe Nigahen Kahin Pe Nishana | O. P. Nayyar, Majrooh Sultanpuri | E♭ Major | 3 | 5B | 106 BPM | ||
| He Ram | Manna Dey, Shailendra | E♭ Major | 6 | 5B | 127 BPM |