Giuseppe Torelli, Simon Standage, Collegium Musicum 90, Catherine Weiss's ' "Concerto for Two Violins, Op. 8 No. 4: III. Allegro" was released on its scheduled release date, February 1, 2005. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Concerto for Two Violins, Op. 8 No. 4: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Torelli: Concertos". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto for Two Violins, Op. 8 No. 4: III. Allegro's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Concerto for Two Violins, Op. 8 No. 4: III. Allegro by Giuseppe Torelli, Simon Standage, Collegium Musicum 90, Catherine Weiss having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 11 in B flat major: I. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A Major | 2 | 11B | 95 BPM | ||
| Violin Sonata in E-flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
| Oboe Sonata in G Minor, Op. 1 No. 6 HWV 364a: I. Larghetto | London Harpsichord Ensemble, Sarah Francis | G Minor | 1 | 6A | 76 BPM | ||
| Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): II. Allegro | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 102 BPM | ||
| Sinfonia in A Major: III. Presto assai | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
| Leclair: Violin Concerto in C Major, Op. 7 No. 3: II. Adagio | Jean-Marie Leclair, Jaap Schröder, Concerto Amsterdam | B Major | 1 | 1B | 72 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | ||
| Concerto grosso No. 5 in D Minor: III. Andante moderato (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 107 BPM | ||
| Concerto for Violin, Op. 8 No. 9: I. Vivace | Giuseppe Torelli, Simon Standage, Collegium Musicum 90 | B♭ Minor | 1 | 3A | 99 BPM | ||
| Concerto for Two Violins, Op. 8 No. 6: I. Grave | Giuseppe Torelli, Simon Standage, Collegium Musicum 90, Catherine Weiss | E♭ Minor | 2 | 2A | 152 BPM | ||
| Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | ||
| Violin Sonata No. 6 in A Minor: II. Allegro | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: I. Grave – Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A♭ Minor | 1 | 1A | 88 BPM | ||
| Concerto for 2 Flutes and Lute in E Minor, TWV 53:E2: IV. Menuet | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | E♭ Major | 1 | 5B | 76 BPM | ||
| Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM |