Roy Hargrove's 'Premonition' had a release date set for April 13, 1990. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 9 out of 11 in Diamond In The Rough by Roy Hargrove. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Premonition is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Premonition by Roy Hargrove is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Without A Song | Cedar Walton | A♭ Major | 1 | 4B | 106 BPM | ||
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM | ||
| Celia | Bud Powell | F Major | 2 | 7B | 77 BPM | ||
| Bolivia | Eastern Rebellion | D Major | 5 | 10B | 114 BPM | ||
| 2 Down & 1 Across | Kenny Garrett | D♭ Major | 7 | 3B | 131 BPM | ||
| Mischief | Joshua Redman Quartet | G Minor | 2 | 6A | 81 BPM | ||
| Stardust | Bobby Hutcherson | D♭ Major | 0 | 3B | 56 BPM | ||
| Here's That Rainy Day | Gene Ammons | F Major | 1 | 7B | 96 BPM | ||
| Sail Away | Tom Harrell | C Major | 1 | 8B | 139 BPM | ||
| The Nearness Of You | Roy Hargrove | D♭ Major | 0 | 3B | 105 BPM | ||
| Speak Low | Roy Hargrove | E♭ Minor | 1 | 2A | 53 BPM | ||
| Ceora | Herb Geller, Kenny Drew, Niels-Henning Ørsted Pedersen, Mark Taylor, Roy Hargrove | A♭ Major | 3 | 4B | 121 BPM | ||
| If I Were A Bell | Red Garland, Paul Chambers, Art Taylor | F Major | 2 | 7B | 78 BPM | ||
| I'm Glad There Is You | Roy Hargrove | F Major | 1 | 7B | 110 BPM | ||
| Liquid Streets | The RH Factor | C Minor | 3 | 5A | 140 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Recorda Me | Joe Henderson | C Major | 4 | 8B | 91 BPM | ||
| Bring It On Home To Me | Roy Hargrove | B♭ Major | 7 | 6B | 203 BPM | ||
| I've Got A Crush On You | Thad Jones | B♭ Major | 1 | 6B | 83 BPM | ||
| Willow Weep for Me | Tommy Flanagan Trio | G Major | 4 | 9B | 132 BPM | ||
| A Bientot | Oliver Nelson | B♭ Major | 5 | 6B | 187 BPM | ||
| A Day In Vienna | Roy Hargrove | C Major | 6 | 8B | 110 BPM | ||
| >>>>>>Becoming | Kendrick Scott | D♭ Major | 1 | 3B | 46 BPM | ||
| Yes And No | Branford Marsalis | G Major | 5 | 9B | 151 BPM | ||
| Green And Gold | Takuya Kuroda | B Minor | 3 | 10A | 79 BPM |