Steve Reich, Vicky Chow's ' "Piano Counterpoint" was released on its scheduled release date, September 26, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Radio Rewrite". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Piano Counterpoint is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Piano Counterpoint by Steve Reich, Vicky Chow having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Monotony II | Tim Hecker, Colin Stetson | F Minor | 3 | 4A | 188 BPM | ||
| Piano & Violoncello 27 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 138 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Pärt: Cantus in memoriam Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM | ||
| The Heavenly Music Corporation I | Robert Fripp, Brian Eno | B Major | 0 | 1B | 58 BPM | ||
| Quyulyxyz | ZylyP | B Minor | 2 | 10A | 123 BPM | ||
| 2/2 - Remastered 2004 | Brian Eno | D Minor | 0 | 7A | 67 BPM | ||
| Pulse Pause Repeat | Harold Budd, Ruben Garcia, Daniel Lentz | E Major | 0 | 12B | 66 BPM | ||
| Drumming: Pt. III | Steve Reich | B♭ Major | 2 | 6B | 140 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Plays Cornelius Cardew 1 | Ekkehard Ehlers | D♭ Major | 3 | 3B | 125 BPM | ||
| Keyboard Study 2 - Brubaker Version 1 | Terry Riley, Bruce Brubaker | E♭ Major | 2 | 5B | 177 BPM | ||
| Form | Jóhann Jóhannsson, Echo Collective | B Major | 2 | 1B | 96 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| Cantus in memoriam Benjamin Britten | Arvo Pärt, Angèle Dubeau, La Pietà | A Minor | 1 | 8A | 76 BPM | ||
| Penaber | Nathan Felix | G Major | 3 | 9B | 120 BPM | ||
| Act I: Trial 1, Entrance | Philip Glass Ensemble | D Major | 0 | 10B | 62 BPM | ||
| Ten-Day Interval | Tortoise | A Minor | 4 | 8A | 150 BPM | ||
| Fearful Symmetries - excerpt | John Adams | D♭ Major | 0 | 3B | 112 BPM | ||
| Crossing the Sands | Pauline Oliveros | A Major | 1 | 11B | 78 BPM | ||
| Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | ||
| Avalokiteshvara (Music for Harp) - 1964 | Lou Harrison, Floraleda Sacchi | F Minor | 1 | 4A | 142 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Act IV: Bed, Cadenza | Philip Glass Ensemble | A Minor | 1 | 8A | 83 BPM |