"Dynamic Triptych, Op. 88: II. Dynamic Timbre" by John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley had its release date on September 1, 2006. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Piano Concerto – Foulds: Dynamic Triptych, Op. 88 by Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley. The song's track number on the album is #5 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Dynamic Triptych, Op. 88: II. Dynamic Timbre is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dynamic Triptych, Op. 88: II. Dynamic Timbre by John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Dynamic Triptych, Op. 88: II. Dynamic Timbre being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
| Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
| A World Requiem, Op. 60, Pt. 1: 5. Audite (Baritone) | John Foulds, Leon Botstein, BBC Symphony Orchestra, Gerald Finley | D♭ Major | 0 | 3B | 60 BPM | ||
| Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Violin Concerto in A Minor, Op. 82: I. Moderato | Alexander Glazunov, Julia Fischer, Russian National Orchestra, Yakov Kreizberg | F Major | 0 | 7B | 130 BPM | ||
| A World Requiem, Op. 60, Pt. 2: 19. Benedictio (Baritone, Mezzo-Soprano, Tenor, Soprano) | John Foulds, Leon Botstein, BBC Symphony Orchestra, Gerald Finley, Stuart Skelton, Catherine Wyn-Rogers, Jeanne-Michele Charbonnet | D♭ Major | 0 | 3B | 60 BPM | ||
| Nocturne, Op. 11 No. 2 | Anton Rubinstein, Nobuko Imai, Roland Pöntinen | G Major | 0 | 9B | 118 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| 2 Pieces for String Quartet: No. 1, Elegy (Adagio) | Dmitri Shostakovich, Arabella Quartet | E Minor | 2 | 9A | 72 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | C Major | 0 | 8B | 138 BPM | ||
| Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | ||
| 3 Elegische Stücke, Op. 106: I. Elegie | Christian Sinding, Henning Kraggerud, Christian Ihle Hadland | C Minor | 0 | 5A | 97 BPM | ||
| Fractured Mind | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Sarah Chang, Mariss Jansons, Berliner Philharmoniker | C Major | 0 | 8B | 81 BPM | ||
| April-England, Op. 48 No. 1 (Version for Orchestra) | John Foulds, London Philharmonic Orchestra, Barry Wordsworth | C Major | 5 | 8B | 94 BPM | ||
| Nocturne | Lili Boulanger, Emily Sun, Andrea Lam | F Major | 1 | 7B | 95 BPM | ||
| Foulds : Impressions of Time and Place Op.48 : I April - England | John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo | D Major | 1 | 10B | 103 BPM | ||
| Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
| April England, Op. 48, No. 1: April - England, Op. 48, No. 1 | John Foulds, Kathryn Stott | A♭ Minor | 0 | 1A | 81 BPM | ||
| Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 1 | 7B | 77 BPM |