Helen O'Connell's 'Time Was' had a release date set for August 16, 1957. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Time Was's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helen O'Connell's "Green Eyes" album is number 10 out of 12. On top of that, United States appears to be the country where this track was created. Time Was is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Time Was by Helen O'Connell to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Remember April | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
| Lost In Loveliness | Billy Eckstine | D Major | 2 | 10B | 116 BPM | ||
| How Long Has This Been Going On? | Chris Connor | G Major | 1 | 9B | 113 BPM | ||
| Blue Champagne | Jimmy Dorsey, Bob Eberly | G Major | 1 | 9B | 113 BPM | ||
| Because Of You | Larry Clinton And His Orchestra | B Minor | 1 | 10A | 81 BPM | ||
| Looking at You | Lee Wiley | G Major | 1 | 9B | 113 BPM | ||
| The Windmills of Your Mind / Goin' out of My Head | The Lennon Sisters | A Minor | 4 | 8A | 126 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| No Not Much | The Four Lads | A♭ Major | 3 | 4B | 88 BPM | ||
| Cry | Johnnie Ray, The Four Lads | G Major | 1 | 9B | 70 BPM | ||
| You Like? | Helen O'Connell | A♭ Major | 8 | 4B | 134 BPM | ||
| Baby, Won't You Please Come Home? - Single Version | Ella Fitzgerald and Her Famous Orchestra | G Minor | 1 | 6A | 92 BPM | ||
| That's for me | Kay Kyser & His Orchestra, Kay Kyser | E Minor | 2 | 9A | 117 BPM | ||
| I Cried for You | Helen O'Connell | A Major | 1 | 11B | 127 BPM | ||
| My Dreams Are Getting Better All The Time - 78 rpm Version | Doris Day | E♭ Major | 2 | 5B | 79 BPM | ||
| Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM | ||
| I've Got A Feelin' You're Foolin' | Helen O'Connell | C Minor | 5 | 5A | 198 BPM | ||
| Jim | Helen O'Connell | E♭ Major | 2 | 5B | 64 BPM | ||
| A Little Bird Told Me | Evelyn Knight, The Stardusters | C Major | 3 | 8B | 182 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Honeysuckle Rose | Lucy Ann Polk, Les Brown & His Orchestra | A Minor | 2 | 8A | 96 BPM | ||
| I've Never Been In Love Before | Margaret Whiting | D Minor | 0 | 7A | 84 BPM | ||
| As Time Goes By | Joni James | G Major | 1 | 9B | 113 BPM | ||
| You Send Me | Teresa Brewer | C Major | 2 | 8B | 99 BPM | ||
| La Paloma | The Merry Macs | D Major | 1 | 10B | 84 BPM |