Sam Dillon, Frank Basile's ' "Samba de Orfeu" was released on its scheduled release date, August 7, 2020. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Two Part Solution". In this album, this song's track order is #6. Based on our statistics, Samba de Orfeu's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Samba de Orfeu by Sam Dillon, Frank Basile having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hit It | Sam Dillon | E♭ Minor | 8 | 2A | 117 BPM | ||
| I Could Write A Book | Bob Berg | F Minor | 4 | 4A | 112 BPM | ||
| Power Lines | raLoki | C Major | 6 | 8B | 116 BPM | ||
| The Forgotten Statue | Orión Natera | D Minor | 3 | 7A | 74 BPM | ||
| Red Rhapsody | Yoshiko Kishino | B♭ Major | 2 | 6B | 122 BPM | ||
| Bu's March - Live | Benny Green | G Minor | 4 | 6A | 137 BPM | ||
| How Did We Get Here | Chris Hajian, Sam Dillon, Ben Monder | B♭ Minor | 6 | 3A | 126 BPM | ||
| Capital J | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| What Second Line | Sadao Watanabe | C Major | 5 | 8B | 100 BPM | ||
| Yeah! | Horace Silver Quintet | F Minor | 7 | 4A | 69 BPM | ||
| Ivonne | Olegario Diaz, Alex Sipiagin, Bobby Franceschini, James Genus, Nate Smith, Nene Quintero | B♭ Major | 6 | 6B | 105 BPM | ||
| Wives And Lovers | Thad Jones, Pepper Adams Quintet | F Minor | 4 | 4A | 111 BPM | ||
| Exodus | Charles Ruggiero, Frank Basile | B♭ Minor | 3 | 3A | 111 BPM | ||
| Relaxin' At Camarillo | Tommy Flanagan Trio | C Major | 6 | 8B | 116 BPM | ||
| Neither Here, Nor There | Anthony Hervey | F♯ Major | 3 | 2B | 80 BPM | ||
| Dance with Dinasaur | Yoshiko Kishino | D♭ Major | 2 | 3B | 109 BPM | ||
| Creole Rhapsody | Malo Mazurié, Noé Huchard, Raphaël Dever, David Grebil | B♭ Minor | 2 | 3A | 101 BPM | ||
| Possession: The Cloister Dance Suite, Pt. IV | Charles Ruggiero, Frank Basile | C Minor | 5 | 5A | 67 BPM | ||
| Xango - Live at the Bimhuis | Lucas Figueiredo Santana, Lucas Santana Grand Orchestra | C Major | 6 | 8B | 116 BPM | ||
| Broken Mirrors | Laurent Marode Nonet, Mourad Benhammou, Nicholas Thomas, Pablo Arias, Jerry Edwards, Fabien Marcoz, Fabien Mary, Frank Basile, David Sauzay | B♭ Minor | 6 | 3A | 128 BPM | ||
| Overcooked | Sam Dillon, Andrew Gould | E♭ Major | 6 | 5B | 104 BPM | ||
| Just Friends | Phil Woods, Franco D'Andrea | D Minor | 3 | 7A | 82 BPM | ||
| Choro Blanco | Seamus Blake, Chris Cheek | C Major | 4 | 8B | 128 BPM | ||
| Gallant | Orión Natera | F Major | 0 | 7B | 114 BPM | ||
| Right On | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F Major | 5 | 7B | 140 BPM |