Matthäus Reymann, Lutz Kirchhof's 'Chorea 1 from Noctes Musicae' had a release date set for February 29, 2000. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Chorea 1 from Noctes Musicae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lutz Kirchhof's "Lute Music for Witches and Alchemists" album is number 6 out of 30. On top of that, United States appears to be the country where this track was created. The popularity of Chorea 1 from Noctes Musicae is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chorea 1 from Noctes Musicae by Matthäus Reymann, Lutz Kirchhof to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estantz assis aux rives aquatiques | Simon Gorlier, Massimo Lonardi | F Major | 1 | 7B | 145 BPM | ||
| Capirola : Qui tollis peccata mundi | Heringman | A Major | 0 | 11B | 76 BPM | ||
| Sixième livre de danseries: Pavane Passemaize, Passemèzes d’Italie & Gaillarde | Claude Gervaise, Pierre Phalèse, Into the Winds | B♭ Major | 0 | 6B | 81 BPM | ||
| Lute pieces transcribed for harp or harpsichord: No. 20 in D Major, La muzzette en rondeau | Robert de Visée, Hopkinson Smith | F♯ Major | 1 | 2B | 100 BPM | ||
| Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| The Apparitions of Phantasos | Michael Levy | E Major | 0 | 12B | 78 BPM | ||
| Fantasía del Primer Tono - Libro 2 | Luis de Narváez, José Akel | G Minor | 2 | 6A | 136 BPM | ||
| De Fuenllana : Postrero kyrie | Heringman | A Minor | 0 | 8A | 87 BPM | ||
| The Sensual Desires of Erato | Michael Levy | B Major | 0 | 1B | 79 BPM | ||
| Suite in E Major, BWV 1006a: IV. Menuet I - Menuet II | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
| Bergamasco | Giovanni Battista Domenico, Joachim Held | E Major | 2 | 12B | 108 BPM | ||
| A Plaine Song for Two Lutes | Thomas Robinson, Lynda Sayce, Matthew Spring | B♭ Major | 2 | 6B | 127 BPM | ||
| Da Ripa : Part II: Per illud ave | Heringman | F♯ Minor | 0 | 11A | 76 BPM | ||
| Suite in G Major: VII. Rondeau | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| L'Orfeo, SV 318, Act I: Rosa del Ciel (Arr. Josep Maria Martí Duran) | Claudio Monteverdi, Josep Maria Martí Duran | C Major | 3 | 8B | 124 BPM | ||
| Ricercar #13 | Francesco da Milano, Paul O'Dette | A Minor | 0 | 8A | 99 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Prelude, Fugue and Allegro in E-Flat Major, BWV 998: II. Fuga | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
| La Bernardina de Josquin | Francesco Spinacino, Shirley Rumsey, Christopher Wilson | B♭ Major | 1 | 6B | 135 BPM | ||
| Suite in D Minor: II. Paduan | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 1 | 12A | 127 BPM | ||
| 3 Parts upon a Ground in F Major, Z. 731 | Henry Purcell, La Fenice, Jean Tubéry | E Major | 0 | 12B | 57 BPM | ||
| Galliard, P 27 | John Dowland, Paul O'Dette | A♭ Major | 0 | 4B | 122 BPM | ||
| Ferita d’Amore Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Anthony Rooley, James Tyler | C Major | 4 | 8B | 124 BPM | ||
| Ricercar No. 51 | Francesco da Milano, Jakob Lindberg | G Minor | 1 | 6A | 103 BPM |