Joan Ambrosio Dalza, Anthony Rooley, James Tyler's ' "Saltarello" was released on its scheduled release date, January 1, 1972. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Saltarello's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Renaissance Duets". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Saltarello's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Saltarello by Joan Ambrosio Dalza, Anthony Rooley, James Tyler having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite I: Gaillarde | Claude Gervaise, Christian Mendoze | B♭ Major | 2 | 6B | 116 BPM | ||
| Grenadier and the Lady | One Harp and a Flute | E Minor | 1 | 9A | 113 BPM | ||
| Galliard to the Flat Pavan | John Johnson, Shirley Rumsey, Christopher Wilson | F Major | 1 | 7B | 92 BPM | ||
| Fantasia a 6 in G Minor, No. 4 | John Ward, Consort Of Musicke, Anthony Rooley | F♯ Major | 2 | 2B | 79 BPM | ||
| Lute Sonata in G Minor, Op. 1, No. 4: I. Largo | Adam Falckenhagen, Andrew Maginley | D♭ Major | 0 | 3B | 137 BPM | ||
| Ce fut le jour | Jehan Chardavoine, Maurice Guis, Les musiciens de Provence | D Minor | 1 | 7A | 73 BPM | ||
| The Snowed Inn | The Wandering Jester | D Minor | 8 | 7A | 112 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| A Plaine Song for Two Lutes | Thomas Robinson, Lynda Sayce, Matthew Spring | B♭ Major | 2 | 6B | 127 BPM | ||
| Lute music - Germany: Welscher tantz Wascha mesa | Hans Neusidler, Konrad Ragossnig | E♭ Major | 2 | 5B | 86 BPM | ||
| La Loda - Canzon | Tarquinio Merula, Lautten Compagney, Wolfgang Katschner | G Minor | 1 | 6A | 81 BPM | ||
| Cum Deus dextram quatiens coruseam | Eduardo Paniagua | F Major | 1 | 7B | 100 BPM | ||
| Cantiga 35: O que a Santa Maria (Arr. J. Ferrero) | Alfonso X El Sabio, Capilla Antigua de Chinchilla, Jose Ferrero | C Major | 1 | 8B | 110 BPM | ||
| Bransle De La Torche | Adagio Trio | C Major | 1 | 8B | 121 BPM | ||
| Medieval Carnival Dance | Andrei Krylov, Anastasia Goose | F♯ Major | 3 | 2B | 112 BPM | ||
| Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
| Lachrimae, 1604: Semper Dowland semper dolens | John Dowland, James Tyler | A Minor | 1 | 8A | 105 BPM | ||
| Wilson's Wylde | Traditional, Estampie | C Major | 0 | 8B | 96 BPM | ||
| Red Dragon Inn | Chalmeris | E♭ Major | 1 | 5B | 80 BPM | ||
| Obras de musica para tecla, arpa y vihuela: No. 79, Diferencias sobre "El Canto del Caballero" - Version for Consort of 4 Viols and Harp | Antonio de Cabezón, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 119 BPM | ||
| Prologue: L’Orfeo, Ritornello (The Ritual of Initiation) | The Wandering Bard, Claudio Monteverdi | G Major | 0 | 9B | 81 BPM | ||
| Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | ||
| Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
| Premier livre de danseries: Suite de Bransles de Champaigne | Jean d’Estrées, Into the Winds | C Major | 2 | 8B | 125 BPM | ||
| Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM |